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€rodre (19 ) me.tions thc n.w lEnds <strong>of</strong>N.nlidh ceotury pelrv evins lhai <strong>it</strong><br />
*6 the *dury <strong>of</strong> poclic Evolutioi mrinl' madcd bv the Fcnch sFbolisl<br />
normenr Daiches lle tpears oa $e imponanc. oi lhe <strong>it</strong>ugiss <strong>of</strong> this p€riod like<br />
Eliot Poud T. E. Hulme ond olh.u who rot lor th. h.rdns ed clu<strong>it</strong>v <strong>of</strong> i6tg6<br />
b .mbodt diffeot lt'em6 in $€n pdry.<br />
Two <strong>of</strong> $e mon Emartrble F*|s <strong>of</strong> rh. modem Fiod, w.B Yab tnd T s Eliol<br />
combiDed tradiiion &d exp.rim.nl in lft.t rolt (En€rra 2004) The Dish wdcr<br />
Wiuiam Buller Y€als 6 $e morc hdiliotrll Yss sd lrhh, md kish<br />
in,luenes wee ale *o&ins on him - dre lrish nalional Dovenenr in Dublin a.d<br />
popular lrish lolkloF fld folk sp€h hc lound in Sligo where he used to go to vhn hh<br />
srodpacnrs (Daiches: I126). ln his rondntic poetry qr en b.fore lhe tum <strong>of</strong> the<br />
c..tux he exploiled anoient lli3h tod<strong>it</strong>ion! and tho g'3dually developed a po@trully<br />
hones! p<strong>of</strong>ound tud dch poeric idiom, ar <strong>it</strong>s n.rutily in Ir. Io-€r lt92q ad The<br />
&.t (1933). As a youns man h.cnriched hi, pGds wnh concd. imlges,<br />
'/i,z?i,g<br />
but ftese bdme les& s rhc impul$ ro dd\ upon p.&nal obeddion <strong>of</strong> NduE<br />
gr.$ fainrcc- (wad,l49) Y.arjs ntrhology. frcn *hich eis thc distill.d<br />
symbolif, <strong>of</strong> his gEar p..iod, is nol !lw!y3 ay io undMd. nor did Yats idend ns<br />
frll m@irs ro b. inmediatcl, rppNnt b tioe dfdil<strong>it</strong> wirh his lhoush od $e<br />
ftdido in vhicr, he *q*.d (Br<strong>it</strong>dni4 2001). F!dh.r, fic aulhor or ariMiq tl$<br />
pdjs r loi his use <strong>of</strong> vivid ed dFeic in!8.s lo snv.y s@nic tnd thdatic bsuty<br />
Ahos wnh Yeats, doths m..tion wonhy ihpact o! the Poels <strong>of</strong> de modm rine was<br />
thar <strong>of</strong>ceord M.nley Hopkins, a viclo<strong>it</strong>n poel who wos nol known the wond unril<br />
1918. Hopkins *as b*r known for his u$ oincw p.eric leohniques, including rhvne<br />
in&drl ro a si.sle lihe <strong>of</strong> podr), tll<strong>it</strong>.Etion. conpound melophor, and Lylhm<br />
rccmbling firt <strong>of</strong>ev.rtda) spcc.h Hk {rp.rimcnrs in Echniquc weE 3n anempl ro<br />
captur. rhe beuly and uniqueoess <strong>of</strong>n.tunl obje$ The mnilicls benren hh Rme<br />
Catulidn and nis se <strong>of</strong> thc b.ruty <strong>of</strong> this *orld, ed his @mpliored exFrimenls<br />
in meri6 dd tdbutrry havc .nEc&d nwh .lt nlion "To Hopkins, @h esuoos<br />
imD|6iq hrd ib ovn elusiv. slh6 r 4h *nc *s io him a-sNct speill<br />
snc (Brira.nica 2o0l). Hud$ (1961:292) sp.!b or his indet{.dn6 ro rhc<br />
M craphysi@ l po.q 6p.c<strong>it</strong> lly to ,oht Donnc for hlving b6N$.d sd in nov:red ln.n<br />
31