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!g.d bach€lor <strong>of</strong> noslalsic tnpcmcnt who vis<strong>it</strong>s . ,oung M6. Wodl'iignN to<br />
prope nMiage brt oroidcE owing b th. dafl€rcM b.twd th€t sodds _<br />
5.5 Tddi.ior.nd "Ti. wsr. Lr.d"<br />
A bd.f irt'lduclio. lbour th. nltan8 .nd thcmc <strong>of</strong> "Ih. wde Lod' h6 al'sdv b€n<br />
given in tne @lier secdon <strong>of</strong>lhc nudy Si.cc thh pcm is sid to be rhe mosl<br />
Ep|*nlllive <strong>of</strong> Eliot! cnlir volk, considcdbl. .vidcn@s N fomd in rhe poem<br />
Ega.ding rhc tne prcctie <strong>of</strong> rhc poet\ 8iv.n c<strong>it</strong>ictl concepls Like lhe concepr ol<br />
impereo.alny,.he canon olt adilion is l.so w.llpmcticed in rhis po€n At ! nuober ol<br />
pla*s in rh€ poem, $e ead.r issrhlielltrcmindedolvarious sreat l<strong>it</strong>enrv.relisious<br />
and cultlral poi.ts esp.cirlly b.longing lo psl Ihe mcnlion <strong>of</strong>c<strong>bt</strong>mcteG, s<strong>it</strong>oations.<br />
id6 ad pbles lmm fie nolcwonhy @li.r lilcory works give lhe pem a definire<br />
tille<strong>of</strong>b€ingth.tmdilionolDo.mnomEli<strong>of</strong>spoinr<strong>of</strong>view.will.rd(2005)horrhe<br />
view lhd s Elid himelfN6 a nd oastong criliol tcndency ed had a much sticrer<br />
s.e ol lile@, mdnio. rhon lho$ <strong>of</strong> his m.sr orhq conldpotuies' he could<br />
skilfrlly appb his giv.n concprs in his pocq quirc scnsiblt The pcm _lhe \rdc<br />
l4d" @ b€ 6llsl a fine .mplc ol rhe u$ ol lircdt hdirion" ro dttc I<br />
mdcrely ncw M.rio s th. SNnd ole aci.d conid. T s Elior's vtryDoini. 6<br />
ndtioned in "Tndirio. md lnc Individuol Ttl.nf t{vcd<br />
rhe *ay to rhc cEarion or a<br />
'* pctic fom in "rhc wanc Lud". Liodt& in hs potq o. rh€ us <strong>of</strong>all6io6 jn<br />
'Th€ Wrsle L!nd" is ol the vid which .o be briefl' summ.d up 6, 'A p€l cehor<br />
b€ a pcr ar all ifhe is nor coiner.d ehh oll th. |.Aic tadilion belore hin This s<br />
T.s Eli<strong>of</strong>s diclum which h. sat d in lEd<strong>it</strong>ion and rhe lndividualTalenr and which he<br />
pracliced in his w<strong>of</strong>t The Wastc Lsd," Th. form is bdsed o. the work <strong>of</strong>orhs poet!<br />
as *cll6 a rcrction ro rhc f.il.d.ttcmpls oiedrlier st<strong>it</strong>ch lo roicc simildid6. Thc<br />
wrsre rind' exhib<strong>it</strong>, thc acncs ed fe.lligs <strong>of</strong> po$ Wond wd I life moE slillrullv<br />
the nuy otho poems ollhe sne pcriod beq4u* <strong>it</strong> tlkes $e rcade6 back ro eatlier<br />
wo swhich mal€ pln<strong>of</strong>lhcn.sgc <strong>of</strong>lhc poqn sd give a comprchens ive shaPe rd<br />
lhe P{En (Am6). Sine T s Elior bclicvcd ln rhc composile *hole <strong>of</strong> h-ump€,n<br />
hdnion dd not ool! in the frogmd <strong>of</strong> EnSlish t dilion, he lried ro pondv the<br />
Eu6p€s uorld <strong>of</strong>!.sl w *@io in th. pcm Tnc wsr Lqd" povnGs a d*pl,<br />
disilhsioned liw <strong>of</strong> ! osmopolilon ponqe Euopan (rdh.r lhu m*ly English)<br />
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