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!o liiry lhc po.n, ii a ens, d onl@ker. lnd th. wt*c r:nd' d Mr' Eugined6 or<br />
HFcinrh, or any other section/chamcrcr, is a lirint ed brul o" not<br />
'xd<br />
Ya cleslh<br />
Brcoks (p.144) lllking aboul lhe chancter ollnesias talks nol o'lv 6bour ils technical<br />
inponuc. o f un illc.l ion but l6m thciltic o Point i r iew. ro lhc ch{raclq lrts b*n<br />
otpdi.r.i. 8@kt eys dsr TiEsi&s is . hi$orical -exp€n on fi' rel{i@ b'lw4n lhe<br />
ex6: od $ hc on compEhen4 distinauish ud inrdpd dE felinBs <strong>of</strong> rhc t*o sxg<br />
sinulb@uslr. Hugr Kenner (pl8?) llo sFars ol nore lhd ju$ slruco6r<br />
impondcc <strong>of</strong>Tircsi6. He s.vs rhar $ou8h Tncsils hai b€€' depicred nol tFin8 moved<br />
<strong>bt</strong> lhe fclings ol pjtt ond teror, ht existence is spuriouslv @rclaled wilh<br />
@mpa$ion, which b 6eElvlhe |wenridh c.nlurv's specialnr'ri'n <strong>of</strong>ind<strong>it</strong>tcrcnce<br />
c. K. Srqd (p,22G21) con6 up rilh ! v.rv conclusiYe rcn'rk on the tundion <strong>of</strong><br />
TiGi6 in tnc pan. Hc s)5: 'The p.d! nind is ih mind <strong>of</strong> TiEsi6 thc inclusivc<br />
on*iousn6t lhar hd roEsufe'€i tll Henc., lhe po€l h6 ti'd in a quir'<br />
impefional and obj*livc wav lo bing 6nh thc $ene dd ne$asc ol his peNoml<br />
relin8s and thoulhts ro impE$ de mind ol his rodes bv usin! $' chddcrer or<br />
Ti€si6, By n.ss <strong>of</strong>c€&linssuch a Sisonlic charact r, Eliot@uld pul himselldide<br />
to |et ln. ch(icls conndr on lhc veiols s<strong>it</strong>uiliots eco'dinalv'<br />
Eliot hd actuarly u*d thc chomct roaTircsib 6 d objcriv' cmlorive- in<br />
lhe pcm. This objelive orcldiv. *fles !o p.^rav ihe peticllar cmotion <strong>of</strong> the pel<br />
The poeh produccs s sdes or norions sd f*lings which 'rhe in fi' mind <strong>of</strong>lhe<br />
poet ts be ob$s.s lh. humm lifc dutins his contnpomtv sd in rh' <strong>bt</strong>_gonelim4<br />
TlE inktul naradon, on $e pd olTne<strong>it</strong>s. obj4rivelv *orks lo convinc' rhe @der<br />
to fdl od b.li4. sho€ve eB on in rhe l'ocm Thus ih' vhol' rss'um orthe lloem<br />
6ougl sisintlly fch by rhc p€l himela <strong>it</strong> deDicltd in such t ch'ictl wat $!r<br />
c<strong>of</strong>tlab Pnh $. LelinCr or rh€ rcldc. a.d rhe objer s<strong>it</strong>uar<br />
illuslraled in ftc pocm Thotus Wilhtd, <strong>it</strong> his lerure, dnms $'r though Eliol hd<br />
used difi.rent 3ynbols and cheacleK, lh.v embodt $c feelings <strong>of</strong> d sin8le peNon but<br />
they rE pre$nr.d in such an objectiv. eav rhat esh looks shndins lor irs owd<br />
cxistence. Oct lo *nol !d. <strong>of</strong> thes .hdclcu or voi*s including Mari' in s'c'd<br />
l. Lil in wlio 2, ud TiGi6 in *tion I considd ro *htr de $tv@p6tuora<br />
single. ftngmdLd chadd: lhc p&r- sp"kinA s a rcpc*nbuve n@em<br />
ms."(willenr 2O0l) Bcniun (199J) tlF 3p€ats or lhe p@nc' <strong>of</strong> m obiedive<br />
co@lclive i! 'Thc w6te Lud But hh objccr is nol Tnesidi he stvs lhll wilh lh€<br />
63
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