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hatc ey 6r.d valu. or n@in& tlcy 6 lnd sholld bc us€d vaidn, b, lhe pel 6 is the need otlhe silualion. Thr wholc nodernist p..rry is heked *ith rhis $ylc of using imagery quir. ind.p..ddrlt plrcing Elior on dc top oflh. lisi. for rhc $ke oa@mp.ri$n, Johned silcs a pem-.t a Maai. by Waher dc Lr Mar. and rhcn lalts abour its ioalery of wordsrorhian i)1. and comments, -aut ( oilea no rc!.larion. no
d.@in d by . kiod of p€ic di.Ldic *hich sG the mct distirctiv. pioffiinl Didr ed LloEns in rhek dicle , Tk ,l@l!sn of Poaic tnasav ha* @nsid€Fd all posible functo.s oa inas6 &d slmbok in poetry. Th.v Fniculdlv qde Eliot! skill of bnnsing in chelcErislic imtgcty in his pftms: Th. exp6sion or absturion in on.de ens is whar litmry ihconns .all figudioi For.rmpl.. T.s. Elior u*i $. inuc orrhe *ct.land ch in sn!$l .vodiont (di,ity. doughr- 6.4nn.$. nd)- ro EpEsr abi6d norion aboufli wld ehc h. liv.d, a hop€lssres* nftnalsn. shock tbllo*ins a *t rhd had $Drss€d ill rviouswd ii i6 ddrudive Fw.r (p. 0i) slmbolhm could bc defined 6 the use oi indnaf .xFe$ionr a situ&on shere thc Rjdd cm6 rD Eogniz€ th.r rh.t th. wrir€r is prc*nting dd dsribin! is nol all whll I'e is chi€fl) concened wirh, but fiar fi.re is a hidden or deFr mdn ing *hich is inl€.dcd actualty. Used inr.nsivcl) od eticctiv.ly, rhc slmbols reinlbrce rhe impacr of th. lirccry *od. h litsat@, 6p€cially ir pcFy, th. fi€que us of symhols asB thequalilydd force ofd inrcnded idea ln Eliors p@ry vrrious srylistic devices dR usn ro gF t e,I4t, mons lnd symbolis is quile pEvalcnl. "Elior's idm fq synbol is obj*tiv. oftlativ.. md in de rm r. 6n see his @lr arcnpr to makc on- !r le6t in hh c ticisn apprcach thc mndilion of scicnc by ebievin! a depeMtliz.lion or a epdtion ftom pc@tulir) (CMs 16l). To dcpid vaiour siluations, L.lin$ and doriois. Eliot has used r numbn orsymboh fid. criticallJ sDeotiD& he slls obje'iv. @rchtive. which bd al@dy b.ei defined. llush Kenncr. as q@tcn by F6ell ( I96), lavoub rh. n6l and snh.ric necdity oa podi. slmbol5 which is fudhs cxplained by FusFll, 'The sorld of no!61 srltes mus rhus bc p'end itdiEcdy t {t ar. @nd Enove: stmbolism o suggcsl moml conditios which lhcmselves .lude d.sription and evdluarion, lussellhas poinred our thal alons Nilh mdy other orcr.re synbols, Eliol h6 tcqucnlt usd $e srdbolof bL\jilt 8€soE" to git nqnine 10 his subjdiv. or psychic onditioN. He eys rhis is ale t paft of hb 6eory of Obj{tiv. coftlariv." which is .pplied to cxhibil ab$mcr id.a. whh thc h.lp of b.lininB id.g.s, tlnbolt adir adions or B$rurs. Frsell ob*ncs lhat EUot h6 conodd ovs rh. odequrc use oflh. novemcnt3 ofhedr.nd finge6 and oa$cn power ofdielosins to the obsner-a siven psychic conditior" 1l9a). He 53
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't i t e-bt..o ftrnrO. of T'g $ht',
Page 3 and 4:
't ble II cnd EvrlutioD ofT.S. Elio
Page 5 and 6:
tdpeFo.rliry ord PortBit of a Lrdy
Page 7 and 8:
This theis ow6 nuch ro srudqt of Li
Page 9 and 10:
AASTRACT Ar Anrrysis.nd Ev.lulrior
Page 11 and 12: An An.lysb .nd Evaluation ofT S' El
Page 13 and 14: (1917'19).ln London hs had fiequol
Page 15 and 16: lliimalely.d.ptcd for the nusictl t
Page 17 and 18: Dantc, ln. lllli$ cldsical wi|q, nd
Page 19 and 20: f€lme. rhe ssibiliy, exlesd in $c
Page 21 and 22: !o eiti.im. skilall ar or .nea8d in
Page 23 and 24: ,5,1 I Tr.dilion (lir.r.ry) Thc wor
Page 25 and 26: $l.ded fo, nysclf lo e$iblish T s.E
Page 27 and 28: srudy is codfined b ddys adt d.lu .
Page 29 and 30: ealrzing hisbncal cvidene on lhc gi
Page 31 and 32: diiIeEnr srEngh and vatuc or {.igtu
Page 33 and 34: thcr @ding ro hit crilical vicv vcF
Page 35 and 36: and ecupolion, or lh€ir coniempla
Page 37 and 38: haee adoptd such diction butlhen ch
Page 39 and 40: anitude wilh witing poesy on oie hd
Page 41 and 42: €rodre (19 ) me.tions thc n.w lEn
Page 43 and 44: h@ds of $e wai Sq too, Day L.*is na
Page 45 and 46: Hh sisificant chamcte6 likc Prutock
Page 47 and 48: Bathdn sd the Hunsrri.n Gor8. LuMcs
Page 49 and 50: 'lhough Eliots lileFry views orc mo
Page 51 and 52: Sldbolist pet!, sd .t lh. s. tin. .
Page 53 and 54: To EliDl a poem h nol rhc ors,lou o
Page 55 and 56: ofan my b. found oul of sdl.norio.s
Page 57 and 58: fiougllh. raiuml medim oidind which
Page 59 and 60: PDrIe" b qpllin how morio m b. bd q
Page 61: CioveniCieci. Aiia Mdh Aieihs qoncd
Page 65 and 66: Alrhoush fie int lprerarion of srmb
Page 67 and 68: Trbtc 2: V.riod StDboh u!.d itr Eli
Page 69 and 70: impisnnenl rhe s.lflies to lhiottel
Page 71 and 72: nind, silh the help or$e vivid irol
Page 73 and 74: !o liiry lhc po.n, ii a ens, d onl@
Page 75 and 76: snn the s. afoFoid synbol. It his o
Page 77 and 78: life. Funnemor€, Karen tp€aks a
Page 79 and 80: Nnh p€opl. upon t p.accful @.d *n
Page 81 and 82: edre or subjectiv. rly The prcs..ta
Page 83 and 84: d wdk. She quoFs lines fon th€ di
Page 85 and 86: Hc Fikdes, time md !84i4 "tll b a&.
Page 87 and 88: And the frF dd ih. rce e @e Blt her
Page 89 and 90: hsu8h rhc hditio.tl susp.nsion oidi
Page 91 and 92: iDpeMn.l by +linins up thc sitrgL p
Page 93 and 94: ins..d subjarive-mliv.-cgo eho *oul
Page 95 and 96: dm. Eliot hs h.d dcDict.d th. chtEd
Page 97 and 98: ol f.il@ b .ct snd dcs nol *dt hims
Page 99 and 100: ,1,6 Inp.non.liry !trd "A!h Wsdtr.l
Page 101 and 102: plM€ of EaderMner dFMict(p.01). B
Page 103 and 104: viq, {rc felings md dpqicK i. 'Tl.
Page 105 and 106: applies notonly b the men $cmselles
Page 107 and 108: logical developn. of the poe6. Ttey
Page 109 and 110: 4,e lbFmtrdiq !.dPotu "/a r,adJ The
Page 111 and 112: 'rh. hisrorical *n$ involves I p.rc
Page 113 and 114:
hich hc clevalcs hunan love to t sp
Page 115 and 116:
liteBry cxprcsion in pose. Tne nove
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still ar chsing lhe lerr4dv apFopia
Page 119 and 120:
,dv.n|ut non.i lnd pclrv Tnc mcl po
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s.'e of bdodnsic$ to rh. p6t lEditi
Page 123 and 124:
hdnioD dd d inslincl ror ordd Nnhin
Page 125 and 126:
Kanlis, in his pzrEr. Mlhical MelMs
Page 127 and 128:
ed cuhivil.d conscio6n6s of tradiii
Page 129 and 130:
lii.dy wort 10 o peson, Dlae, or th
Page 131 and 132:
(91), io lhe cnd, sums up, 'li |ems
Page 133 and 134:
!g.d bach€lor of noslalsic tnpcmc
Page 135 and 136:
By corbinins the Ehniquts .nd $E.gr
Page 137 and 138:
B.udclaiEt enber dd vivid olletian,
Page 139 and 140:
ii Th. Wanc !&d" tnh . t?icd tbst!.
Page 141 and 142:
.com6 r quotaio. in dothet. Eliot h
Page 143 and 144:
pcric qulni6 fld rcdnioftier h.rc h
Page 145 and 146:
oi.d $d rh@by in his F.fv. li tfie
Page 147 and 148:
Akosdisusssthe imporbnceol hisrorl,
Page 149 and 150:
Elior $$.sts dtt pcFy. which Lkcs a
Page 151 and 152:
cninisnce ofa sliloquy b, Brurussbe
Page 153 and 154:
Abod $e €nd of thc pGn. Vidu Emdt
Page 155 and 156:
irhiliar. uhich he al*ays demands s
Page 157 and 158:
Eliab.thd drmr tnd th. whol€ mdnd
Page 159 and 160:
s.ro 'tt drrinn.nirr. buNroltt Mqi
Page 161 and 162:
Imasca lil. slrets. yellow fo8, chi
Page 163 and 164:
.yond rh. comp€hd3ion of th. ours
Page 165 and 166:
Abtu.!, LdE Nic*n d. r?tsl! tul Stu
Page 167 and 168:
C.dmn, Dnvid. Eliot, Sl.nod ohd l 2
Page 169 and 170:
Etiot.'r.s. fh. Sacred Vood landon:
Page 171 and 172:
Hargrcvq NMcy D!*dl. I'andj.aF 6 Sr
Page 173 and 174:
Lombldo, Alie. t S. dro,! &z!AL @td
Page 175 and 176:
Ncwm{. H. t 5 E/,./i ,l l./d.rd' ,/
Page 177 and 178:
Snrn.cior.t. Ot Th. HolloN Men. 09
Page 179 and 180:
Viut,Lidia T S Etiot - .4n ,luthorl
Page 181:
l9l0 Ast-wednesdar' wa published, l
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