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pe6on. The prcsenorion illc h again inplhonal loaded silh i nunber <strong>of</strong><br />
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in gd.t!|. Meyer (425) puts ,,lrh tl,edEs.toy in t\e |.nal i^d<strong>it</strong>ion ol confe$ion<br />
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onnecFd w<strong>it</strong>h rhe religious 6pea ol Flnglhh liremrurc. A nu6bs <strong>of</strong>allusions &c<br />
aound in the pcm rcfeding ro lh. enDer, <strong>of</strong>shlkcsFlE. Pd ona lin. four od liN<br />
lwenty one @ |'ten fiom sh8lcsFaM emets. For !trr idea or lhlins $ar Elior<br />
wdts lo be conve).d srongly b fte Radea. h. des nor pur otrl) in u$n rhough\<br />
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lhe No lin6, rhe poet n€nrios thc dffii.arim ed power <strong>of</strong> tove Thcse !E rhe<br />
1No lelings lhe per hrd in Ih cou^e ollile olpeciallt d the limc oaconveFion lnd<br />
hG lill lo abrdon rh. woddly d.st s in puuuir oathc spinual Fbinn. The poct<br />
rcsorts lo qpass $ese v.rr p€enal qD.rioces *hh tE helt oiertier tirerur sorks<br />
oa Epunim. H.ne, hc slrisfd his own d6ire ol cxp|sion 6 $rtt s his schol. t<br />
job oaupholdin8 the Uredry pan in his oM wo.L<br />
tulrinA th\ nun \ ld u"d that nn ' ioTe<br />
The abov. n nlioned line is o vssio. oia lirc ircm shakespare,s sonnel *ix,.<br />
(souh.n, l98l: I30) aotro*in8 this lin. Elior bls nade ir corrs.icnr for himsdtl to<br />
cxpHs rhc Notrics<strong>of</strong>hhmind shich isc\pericn!insdil|dr l$li'rs\ trhilc c.alli'rs<br />
Simil.rlt, a very porc ul in4e <strong>of</strong>eael. is d.sribcd in lin€ 06, which. in irs gircn<br />
n@ing h klcn 6om Psrrn ciii,5 to thd thy toulh ]s rene*d like the eade\.<br />
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