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6snlial €len s lo .xphin panems in Mtuc. ... Esrth. tn, firc &d Nlter d' the tour<br />
clNicnl €tmcnls i. rncidr Gre€* phil@phv ud $ie.ce Tn. Gi <strong>of</strong> the p@m 6<br />
follo{.d by sv.dl p6!6 <strong>of</strong> nots Mi.lrd }<strong>it</strong>h individu.l lincs or stions <strong>of</strong> lh.<br />
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mu) oarhe mo{ opaqu. pssg.s tc leli unrenarked<br />
This $.nlinB po.n pff<strong>it</strong>s a v4ibblc lablri h oimcdings ond me$tges lor<br />
th. conteoporary ohoolic lines. Eliol's use <strong>of</strong> comDlq svmboh and inricale imagerv<br />
adds richns ud vlriery ro the Erurc o! lhe pdm h is rcpleE wnh Uuri'nr<br />
allosios to n)rh, ntu!| Eligion, hisrory ' boltr psl od ptenl Tfiis ntk6 thc pem<br />
<strong>it</strong>elf a vinul tro$c land or qugni.c rhtuugh \bi.h d) bpiring Eader mui<br />
suiouny s.dc if !'nc *ishes ro lberb th. .seoe <strong>of</strong> <strong>it</strong>s ncMin3 or sienildnc'<br />
Elior us a novcl poetic technique in this complex pocm H. DEssts a qurcl(<br />
slccession olbdlliel images in alnon cinoalic or kaleidospic rashion Sp€akid8<br />
abour lh€ poeiic dcviccs in lie'Tfie Wdc l.'nd Helen Card.ncr (19e7)smm'nls<br />
rhd rhc poen {hc Wok Lod" sqts .nd keps Soing<br />
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