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Triffids Beard 2 - The Bearded Triffid

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and move hastily on.<br />

It is also quite obvious that there are some fiction categories that women seem to prefer over others. A<br />

lot of women write fantasy and crime fiction, comparatively fewer write SF. Again, I have no idea why the<br />

figures should cluster around these categories, though I note in passing that I read comparatively little<br />

fantasy. I do read a certain amount of crime fiction, and my favourite writers in this genre are all female<br />

(Lindsey Davis, Ellis Peters and Sarah Paretsky, if you are interested).<br />

I could offer some specious justifications for the bias my books exhibit, I suppose. A huge part of my SF<br />

collection dates from the 1930s, 1940s and 1950s when SF was almost exclusively a male preserve (and<br />

often the few women writers that existed would take male pseudonyms or simply use their initials in<br />

order to disguise their gender). To an extent that is bound to skew the statistics. But that's just playing<br />

with numbers. What we are really asking, I suspect, is whether or not I find any difference between men<br />

and women writers and if so, what might that difference be. And why do I seem to prefer one over the<br />

other?<br />

In an introduction to the James Tiptree Jr. story collection Warm Worlds and Otherwise Robert<br />

Silverberg remarked:<br />

It has been suggested that Tiptree is female, a theory that I find absurd, for there is to me<br />

something ineluctably masculine about Tiptree's writing. I don't think the novels of Jane Austen<br />

could have been written by a man nor the stories of Ernest Hemingway by a woman, and in the<br />

same way I believe the author of the James Tiptree stories is male.<br />

Silverberg must have greatly regretted putting these words into print when, several years later, it was<br />

revealed that James Tiptree Jr was the pseudonym used by Alice Sheldon. Nonetheless the fact that he<br />

phrased this the way he did suggests that at some fundamental level he was reacting to the style of the<br />

prose presented to him and making deductions about the gender of the writer based on what he read.<br />

That he was wrong in this particular case does not mean that all such deductions are necessarily invalid.<br />

To an extent we all make such extrapolations all the time and there is a tendency in some people to<br />

confuse the writer with the work and ascribe opinions stated by the characters in the books to the<br />

writers themselves. Such attributions are suspect at best and occasionally downright misleading at<br />

worst (particularly in the areas of politics and sociology with which a lot of modern SF concerns itself).<br />

Nobody would seriously argue against this (it's the premise behind ninety percent of the essays I've<br />

written). So why should deductions of gender be any more or less suspect than deductions of opinion?<br />

Both are value judgements and the value may well be less than the evidence supports, in a critical sense.<br />

Silverberg claims that there is a difference between male writing and female writing; male insights as<br />

opposed to female ones. He further claims that Tiptree succeeded brilliantly in illuminating the male<br />

insights. However as events later proved, the deduction he made from his observations was wrong.<br />

Perhaps (with the wisdom of hindsight) a better deduction would have been that "Tiptree" exhibited<br />

brilliant insights and was therefore a writer of the first class. Stop there and I think nobody would argue.<br />

<strong>The</strong> fault (if there is one) lies in the assumption that only a man could exhibit such an insight, and this is<br />

demonstrably false.<br />

What is demonstrably true is that biologically I am male. I have a reasonable insight into what motivates<br />

and interests me. I know how my mind works and how I react to external stimuli. I am the only person I<br />

know that well -- I have never been inside the head of anyone else and I cannot explain any other person<br />

as well as I can explain myself. And the same applies to you. <strong>The</strong> person you know best (though often<br />

imperfectly) is yourself.<br />

I can extrapolate my feelings and reactions and make predictions about other people I know (and<br />

sometimes I am right and sometimes I am wrong; so it goes) but in every case I feel more certain about<br />

the reactions and motivations of my male friends than I do about those of my female friends. This is<br />

hardly surprising, I suppose since I have lived as a male for umty ump years and it is easier to apply my<br />

own experiences to a situation than to try and do it from an external or foreign point of view. We all

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