Triffids Beard 2 - The Bearded Triffid
Triffids Beard 2 - The Bearded Triffid
Triffids Beard 2 - The Bearded Triffid
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<strong>The</strong> spares are clones of the super rich. <strong>The</strong>y represent the ultimate health insurance -- if you lose a limb<br />
in an accident, no problem; just have one grafted on from your spare. Since the spares are genetic<br />
clones there is no chance of tissue rejection. A cure is guaranteed. You will be back to normal before you<br />
know it. Pity about the limbless clone.<br />
By convoluted means and for reasons unknown the spares are stolen from Randall and when he goes<br />
looking for them he stumbles into mystery, murder and mayhem.<br />
<strong>The</strong> plot of the book is reasonably routine and when examined with a jaundiced eye it has little original to<br />
say. <strong>The</strong> attraction of the book lies in the brilliantly controlled use of language and the juxtaposition of<br />
the real and surreal. Sometimes achingly funny, sometimes bleakly depressing, this is a book that pulls<br />
no punches.<br />
In the snobby higher levels of New Richmond, Jack Randall passes "... a shrubbery so refined that it was<br />
probably eligible to vote." <strong>The</strong> whole book is full of lines like that. How can you fail to enjoy it?<br />
With Lifehouse, Spider Robinson has written a deeply self-indulgent book. June Bellamy goes for a walk<br />
in the park and returns with missing memories. Soon she is on the run from evil super-humans. Ho<br />
hum. <strong>The</strong> book is filled with self-referential SF in-jokes. Nobody but a rabid fan could like it and even they<br />
will probably find as dull and predictable as I did.<br />
Being an enormous tower block, the Brisbane office has lifts and like many modern lifts they are wont to<br />
talk to you, advising you of the floor you have reached and on occasional loquacious moments informing<br />
you about the outside weather and temperature ("Sunny" and "Hot"; this is Brisbane after all).<br />
I've always been suspicious of lifts ever since I discovered that the headquarters of the Otis Elevator<br />
Company in Wellington was a two storey building with no lifts in it. This suspicion was reinforced when<br />
my boss entered a lift in our Auckland offices. She spent the next couple of hours happily travelling up<br />
and down as the lift point blank refused to bother itself with the boring necessity of stopping<br />
somewhere and opening the doors.<br />
<strong>The</strong> best graffito I've ever seen was scrawled on the side of a lift. It said: "This Otis Regrets It's Unable To<br />
Lift Today, Madam."<br />
<strong>The</strong> second volume of Mike Resnick's Widowmaker trilogy sees another clone of Jefferson Nighthawk<br />
sent out to the frontier to wreak derring do and rescue fair maidens. All is not as it seems (of course)<br />
and in a thrilling chase of cross and double-cross, fighting against odds of a million to one, the<br />
Widowmaker and his companions (both alien and human) attempt to remove a corrupt politician and<br />
steal a fortune to protect what remains of the life of the original Jefferson Nighthawk as he dreams in his<br />
cold-sleep, waiting for science to discover a cure for the disease that is destroying him. Like its<br />
predecessor, it is a rollicking good yarn and I had a rollicking good time reading it.<br />
Jane Lindskold's new novel is a quest for the source of magic. A generation ago magic was in common<br />
use throughout the world. But then for no readily discernible reason the magic went away and is now<br />
but a myth. Slowly the world is recovering but hardships are many. Hulhc, a farmer, has spent a lifetime<br />
poring over his father's books of magic and he is convinced that magic still exists in the mountains of<br />
the North. He persuades a travelling circus to journey with him to the mountains in search of the magic<br />
and the book is the tale of their journeyings.<br />
<strong>The</strong> book feels unfinished, all surface and little depth, and towards the end it becomes very rushed as if<br />
the author was hurrying to meet a deadline. In fact it reads more like a first draft than a finished piece<br />
and I was very disappointed with it. In her previous books Jane Lindskold has displayed a consistently<br />
high standard of writing and world-building. Read them instead of this one.<br />
Not all graffiti is verbal. Sometimes the pictorial ones are even better. When I lived in England I worked<br />
on the campus of Nottingham University. <strong>The</strong> toilets that we used were just across the way, and one<br />
day I trotted over there with a copy of New Scientist as was my invariable habit when I intended to be<br />
there for some time. However that day the magazine remained unread because the most magnificent