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Triffids Beard 2 - The Bearded Triffid

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Cell Me A Phone<br />

Phlogiston Forty-Three, 1995<br />

If there is an icon for the 1990s it is a picture of someone with a cellphone glued to their ear. Nothing<br />

typifies the decade quite like it. Once only the wannabe yuppies sported them, but nowadays everybody<br />

has one of the infernal devices. Even I've got one.<br />

You can tell when a gadget has truly arrived in the public consciousness by the urban legends that<br />

accrete around it. By now probably everybody has heard the one about the person striding round in a<br />

public place, talking loudly into his phone when suddenly it rings. In the legend he is supposed to blush<br />

and creep away, but in my opinion anyone caught in such a predicament ought to say (Very Loudly!),<br />

"Excuse me, there is somebody on the other line.", thereby convincing his audience that his cellphone is<br />

infinitely more technologically advanced than theirs is. I have never quite had the courage to try this out,<br />

but one day I will. Of course, by the time I get round to it, cellphones will have multiple lines and nobody<br />

will be impressed at all.<br />

When I consider the big, black, chunky bakelite telephones of my childhood my science fictional sense of<br />

wonder gets turned on at the advances that gave us the sleek pocket cellphone. I shouldn't really be<br />

surprised though. <strong>The</strong> cellphone is an obvious (in retrospect) extrapolation from the clunky 1950s<br />

monsters I grew up with. Why did nobody spot it before?<br />

Well consider this, from a novel published in 1948:<br />

Matt dug a candy bar out of his pouch, split it and gave half to Jarman, who accepted it<br />

gratefully.<br />

"You're a pal, Matt. I've been living on my own fat ever since breakfast -- and that's risky. Say,<br />

your phone is sounding."<br />

"Oh!" Matt fumbled in his pouch and got out his phone. "Hello?"<br />

"That you, son?" came his father's voice...<br />

[<strong>The</strong>re is a long conversation]<br />

Matt broke in, "I'll have to sign off, I'm in a crowd. Goodbye, thanks for calling."<br />

"Goodbye son, good luck."<br />

Tex Jarman looked at him understandingly. "Your folks always worry, don't they? I fooled mine -packed<br />

my phone in my bag."<br />

Space Cadet, Robert Heinlein<br />

Robert Heinlein got it exactly right (as he so often did) and this prediction is spot on. Mind you he blotted<br />

his copybook. <strong>The</strong> space cadets may have portable phones, but they still do all their calculating with slide<br />

rules!<br />

If you wanted to you could use this incident as a perfect example to support the thesis that science<br />

fiction predicts the future. You would, however, be completely wrong. Science fiction does no such thing<br />

though many naive critics seem unconvinced of this. Somebody once dismissed one of Brian Aldiss'<br />

short story collections on the grounds that it contained no useful predictions at all; a criticism which<br />

amused Aldiss mightily.<br />

For almost all of its life people have assumed that because it often deals with future settings and as yet<br />

uninvented devices science fiction must be considered to be a sort of literary crystal ball telling us how<br />

the future will be both in terms of the gadgets we will be using and the type of society in which we will be

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