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Triffids Beard 2 - The Bearded Triffid

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master of a colony of vampires living in New York City. By and large they keep themselves to themselves<br />

and live as best they can, stealing blood from hospital blood banks. But every so often comes the time<br />

of the feasting when they really must hunt their human prey and feast on the live, warm blood. At such<br />

times the vampires are barely in control of themselves as the raging beast that is their appetite demands<br />

to be appeased. Paradoxically they also then become more vulnerable to attack, because they become<br />

more visible to those who would hunt them. Renquist is facing a rebellion by some of the younger<br />

members of his colony who regard humans as cattle and themselves as indestructible. Renquist knows<br />

better, but since when did anyone pay attention to older, wiser heads? <strong>The</strong> grue is gruesome and<br />

Farren's old cynicism is still there. This is a good one.<br />

Damon Knight has not been prolific and has made more of an impact on the field as an editor and critic<br />

than as a novelist. But his few novels have generally been worth waiting for and his new satire Humpty<br />

Dumpty -- An Oval bids fair to be his magnum opus. In itself it is no big deal. A tourist on holiday in<br />

Italy is shot in the head in a restaurant. <strong>The</strong> bullet that has entered his skull has also cracked open<br />

another layer of reality for him and he begins to hear voices foretelling his doom. He encounters a cabal<br />

of dentists and an extraterrestrial shoe salesman. Giant craters open across the face of North America.<br />

This is prime Philip K. Dick territory and yet Knight handles it beautifully. <strong>The</strong>re is more than just a surreal<br />

story here (and in themselves these 'plot' things are actually not very important). Dick used this sort of<br />

thing mainly to ask questions about the nature of reality, Knight uses it more satirically to highlight the<br />

absurdities of reality, so I suppose the spin is different. But either way, it's a great book.<br />

A project is currently under way to publish all the material <strong>The</strong>odore Sturgeon wrote at less than novel<br />

length. It is envisaged that when complete it will comprise ten very substantial books. Three have<br />

currently been published and they follow Sturgeon's writings (published and unpublished) from 1938<br />

through to 1946. I first became aware of these books (and their importance) when the Phoenix Pres.<br />

showed me a copy of one of them that she had found in the remainder bin at London Books for a cost<br />

of next to nothing. It was a beautifully made book with scholarly forewords and afterwords and story<br />

notes and while there were many stories I recognised, there were equally as many that I did not. I was<br />

immediately consumed with an enormous jealousy and the next day I hied me hence to London Books<br />

but there were no copies left and I was distraught because I knew exactly what that meant. It meant<br />

that I would have to buy them all at full price, and so I did to the great pain of my credit card.<br />

<strong>The</strong>re are some wonderful stories here. Even in these very early years, Sturgeon showed the promise of<br />

what was to come and even the least of the stories (and some of them are VERY slight) are beautifully<br />

written. But I was absolutely astonished to find that brilliant Sturgeon classics such as Bianca's Hands<br />

and It and Mewhu's Jet dated from these early years. I had thought them to be much later works.<br />

<strong>The</strong> Sturgeon project is an important one and I hope the money lasts and that they do manage to<br />

publish all ten volumes.<br />

I have known John Brosnan on and off for several years. Many a pint have we drunk together in many a<br />

bar. I was with him when a fan presented a book to be autographed (one of Brosnan's excellent books<br />

of film criticism). John was thoroughly bemused -- nobody had ever asked him for an autograph before.<br />

But he rose magnificently to the occasion and signed the autograph with a flourish. I was proud of him,<br />

and bought him another pint. Over the years, under a variety of pseudonyms, John has made a nice<br />

living from hack writing (and he would not be insulted by that description -- he has no illusions about<br />

what he does). Occasionally he has published novels under his own name, and two of the latest are<br />

Damned and Fancy and its sequel Have Demon will Travel, which are billed as humorous fantasy,<br />

for that is exactly what they are.<br />

John is Australian (though he has lived in England for lo! these many years) so it should come as no<br />

surprise that the books are full of fart jokes (and quite good ones, too). Also there are lots of in jokes -there<br />

is a beautifully libellous description of the horror writer Harry Adam Knight. I will leave it as an<br />

exercise for the student to guess at least one of John's pseudonyms. And it isn't Leroy Kettle, though<br />

that's close. <strong>The</strong>re's nothing outstanding about either of the books and the plots are terribly routine. But<br />

they are enormous fun -- absolutely perfect books to waste an hour or two with at a bar with a pint. Just<br />

like John himself, really...

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