Triffids Beard 2 - The Bearded Triffid
Triffids Beard 2 - The Bearded Triffid
Triffids Beard 2 - The Bearded Triffid
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master of a colony of vampires living in New York City. By and large they keep themselves to themselves<br />
and live as best they can, stealing blood from hospital blood banks. But every so often comes the time<br />
of the feasting when they really must hunt their human prey and feast on the live, warm blood. At such<br />
times the vampires are barely in control of themselves as the raging beast that is their appetite demands<br />
to be appeased. Paradoxically they also then become more vulnerable to attack, because they become<br />
more visible to those who would hunt them. Renquist is facing a rebellion by some of the younger<br />
members of his colony who regard humans as cattle and themselves as indestructible. Renquist knows<br />
better, but since when did anyone pay attention to older, wiser heads? <strong>The</strong> grue is gruesome and<br />
Farren's old cynicism is still there. This is a good one.<br />
Damon Knight has not been prolific and has made more of an impact on the field as an editor and critic<br />
than as a novelist. But his few novels have generally been worth waiting for and his new satire Humpty<br />
Dumpty -- An Oval bids fair to be his magnum opus. In itself it is no big deal. A tourist on holiday in<br />
Italy is shot in the head in a restaurant. <strong>The</strong> bullet that has entered his skull has also cracked open<br />
another layer of reality for him and he begins to hear voices foretelling his doom. He encounters a cabal<br />
of dentists and an extraterrestrial shoe salesman. Giant craters open across the face of North America.<br />
This is prime Philip K. Dick territory and yet Knight handles it beautifully. <strong>The</strong>re is more than just a surreal<br />
story here (and in themselves these 'plot' things are actually not very important). Dick used this sort of<br />
thing mainly to ask questions about the nature of reality, Knight uses it more satirically to highlight the<br />
absurdities of reality, so I suppose the spin is different. But either way, it's a great book.<br />
A project is currently under way to publish all the material <strong>The</strong>odore Sturgeon wrote at less than novel<br />
length. It is envisaged that when complete it will comprise ten very substantial books. Three have<br />
currently been published and they follow Sturgeon's writings (published and unpublished) from 1938<br />
through to 1946. I first became aware of these books (and their importance) when the Phoenix Pres.<br />
showed me a copy of one of them that she had found in the remainder bin at London Books for a cost<br />
of next to nothing. It was a beautifully made book with scholarly forewords and afterwords and story<br />
notes and while there were many stories I recognised, there were equally as many that I did not. I was<br />
immediately consumed with an enormous jealousy and the next day I hied me hence to London Books<br />
but there were no copies left and I was distraught because I knew exactly what that meant. It meant<br />
that I would have to buy them all at full price, and so I did to the great pain of my credit card.<br />
<strong>The</strong>re are some wonderful stories here. Even in these very early years, Sturgeon showed the promise of<br />
what was to come and even the least of the stories (and some of them are VERY slight) are beautifully<br />
written. But I was absolutely astonished to find that brilliant Sturgeon classics such as Bianca's Hands<br />
and It and Mewhu's Jet dated from these early years. I had thought them to be much later works.<br />
<strong>The</strong> Sturgeon project is an important one and I hope the money lasts and that they do manage to<br />
publish all ten volumes.<br />
I have known John Brosnan on and off for several years. Many a pint have we drunk together in many a<br />
bar. I was with him when a fan presented a book to be autographed (one of Brosnan's excellent books<br />
of film criticism). John was thoroughly bemused -- nobody had ever asked him for an autograph before.<br />
But he rose magnificently to the occasion and signed the autograph with a flourish. I was proud of him,<br />
and bought him another pint. Over the years, under a variety of pseudonyms, John has made a nice<br />
living from hack writing (and he would not be insulted by that description -- he has no illusions about<br />
what he does). Occasionally he has published novels under his own name, and two of the latest are<br />
Damned and Fancy and its sequel Have Demon will Travel, which are billed as humorous fantasy,<br />
for that is exactly what they are.<br />
John is Australian (though he has lived in England for lo! these many years) so it should come as no<br />
surprise that the books are full of fart jokes (and quite good ones, too). Also there are lots of in jokes -there<br />
is a beautifully libellous description of the horror writer Harry Adam Knight. I will leave it as an<br />
exercise for the student to guess at least one of John's pseudonyms. And it isn't Leroy Kettle, though<br />
that's close. <strong>The</strong>re's nothing outstanding about either of the books and the plots are terribly routine. But<br />
they are enormous fun -- absolutely perfect books to waste an hour or two with at a bar with a pint. Just<br />
like John himself, really...