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Triffids Beard 2 - The Bearded Triffid

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<strong>The</strong> Earth has entered a new age, a time of legend and heroes, romance, wizardry and wonder. Max<br />

Karrien (aka Max Carrion) is an imagineer and that is the last logical thing that happens in the book. <strong>The</strong><br />

rest is indescribable (like most of Rankin's novels, come to think of it) which probably explains why the<br />

blurb has virtually nothing at all to do with the plot. Mind you, very little has anything to do with the plot.<br />

Even the plot has very little to do with the plot. I think it ends happily. I think it ends. I think.<br />

It was definitely time for Roger Zelazny. Forever After was the last book he worked on before his<br />

death. It is a fantasy. <strong>The</strong> scenario posits a time when the forces of evil have been thoroughly defeated<br />

by the forces of good, with the help, of course, of four magical artefacts. Now that their purpose is<br />

accomplished, the artefacts must be returned from whence they came. Four novelettes by Robert<br />

Asprin, David Drake, Jane Lindskold and Mike Stackpole describe the adventures of the heroes and<br />

heroines as they struggle to accomplish their mission. <strong>The</strong>se stories are joined by linking material written<br />

by Roger Zelazny himself. He maintained very firm editorial control over the project and insisted that the<br />

fantasy elements of the stories be strongly leavened by humour and the same sardonic wit that was<br />

peculiarly his shines through all the material. I loved it. Even the artefacts are funny -- I particularly liked<br />

the magical ring Sombrisio, which farts a lot and insults everybody.<br />

I'll finish up this month with the new novel by Jack McDevitt. Of whom you may well say who? Well he<br />

has written two rather good novels, <strong>The</strong> Hercules Text and A Talent for War. Now comes his third,<br />

<strong>The</strong> Engines of God and it is his best yet. It is an archeological thriller -- not a common genre, I'll grant<br />

you. Scattered across various planets in the galaxy are artefacts left by an ancient race. Statues and<br />

cities and inscriptions. <strong>The</strong>y are majestic and puzzling at the same time. Why does a planet have a city<br />

on its moon when the inhabitants of the planet never developed space travel? Why does the city consist<br />

of solid blocks of stone? Each building is solid all the way through. Why is the city partially destroyed as<br />

if by fire?<br />

I'm not going to tell you why, that would be a spoiler of massive proportions and most unfair. Suffice it<br />

to say that there is a good reason. <strong>The</strong> further into the book you get, the more puzzling the mysteries<br />

become. Strangeness piles upon strangeness, (and also insight upon insight). <strong>The</strong>re is tragedy and<br />

splendour here and a truly satisfying climax made even more so by the light it sheds retrospectively over<br />

the book as a whole. It makes you want to go back and read it again immediately with the benefit of your<br />

new understanding. This is quintessential science fiction and the sense of wonder tingle in the spine is<br />

absolutely authentic. Books like this one are the reason we all started reading this stuff in the first place.<br />

Iain Banks Whit Little, Brown & Company<br />

Jonathan Lethem Amnesia Moon New English Library<br />

Kim Newman Anno Dracula Pocket<br />

Jack Yeovil Drachenfels Boxtree Books<br />

Genevieve Undead Boxtree Books<br />

Orgy of the Blood Parasites Pocket<br />

Stanley Asimov (Editor) Yours, Isaac Asimov Doubleday<br />

Peter F. Hamilton Mindstar Rising<br />

A Quantum Murder<br />

Pan<br />

Robert Rankin<br />

<strong>The</strong> Garden of Unearthly<br />

Delights<br />

Doubleday<br />

Roger Zelazny Forever After Baen<br />

Jack McDevitt <strong>The</strong> Engines of God Ace

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