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Triffids Beard 2 - The Bearded Triffid

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catastrophic damage to your favourite files, you should chastise it severely. This will cause it to pull itself<br />

together and behave better in future. If it happens to be on a network, it will also tell all its friends what<br />

you did to it and your reputation as someone not to be trifled with will spread and all the other<br />

computers will be so scared of you that they will start behaving themselves as well. That's why<br />

networked computers are so much more productive and efficient than isolated machines.<br />

Both Frederic Forsyth and Mario Puzo have new novels out. I group them together because in many<br />

ways they are similar writers, though I think Puzo might object to being placed in the company of a<br />

"mere" thriller writer -- he tries to claim more for his books that that. Similarly Forsyth might be puzzled<br />

to be linked with a literary writer since he has never claimed to more than an entertainer. Both, I think,<br />

are fooling themselves.<br />

Icon, the Forsyth novel, is as good as anything he has ever done. It is set a short while in the future, in<br />

a Russia reeling under the effects of Yeltsin's reforms and with many competing influences looking to<br />

restore order out of the chaos. One politician who seems certain to win the forthcoming election and<br />

whose stated policies seem to offer some degree of hope is discovered to have a secret agenda. A<br />

document known as the Black Manifesto comes into the hands of British Intelligence. At first they simply<br />

don't believe it, but as its truth becomes more apparent they are faced with the difficult moral problem<br />

of interfering with the fledgling democratic process of the new Russia for the sake of what is perceived<br />

to be the greater good. How they resolve this moral dilemma, and the mechanics of the elaborate plan<br />

they put in to effect are the meat of the book and while at the pure mechanical level it is a nail-bitingly<br />

tense and perfectly managed thriller, the moral and ethical undertones (and overtones!) make it more<br />

than just a pleasant way to pass a few hours.<br />

Puzo, on the other hand, tries to load so much significance into <strong>The</strong> Last Don that the book falls over<br />

under its own weight. As the title implies, we are back in heavy Mafia territory. However most of the<br />

novel is set in Hollywood and Las Vegas, and the larger than life irrealities and the fat veneer of glitz and<br />

glitter reduce the whole thing to the level of a Harold Robbins pot-boiler. And you know what? That is<br />

exactly what it is. I just couldn't get involved with it. Puzo seems to think that this world matters in some<br />

deep significant way, when the plain fact is that it is so shallow and superficial that it can't even stand as<br />

a metaphor. Puzo tries too hard and it shows.<br />

Ben Elton was very funny about ecological catastrophe in Stark. He followed it with a series of books<br />

where he became progressively less funny about less serious subjects. Now in Popcorn he isn't funny<br />

at all and he isn't funny about the same things that Puzo isn't funny about -- Hollywood glitz. His hero is<br />

a Quentin Tarantino look-alike called Bruce Delamitri. Two psychotic killers of the kind he glorifies in his<br />

movies hijack him after the Oscar ceremony which is his crowning glory. From the heights, he is plunged<br />

into the depths and he gets a taste of the reality he has faked in his films for so long.<br />

<strong>The</strong> book belabours its message, sings it, shouts it, underlines it, and then just in case you missed it,<br />

yells it out in capital letters. <strong>The</strong> whole thing is overwritten and dull.<br />

Not satisfied with my other new toys, I went and bought a car. I wasn't sure what I wanted, but I did<br />

know that it wasn't going to be white. I have owned five previous cars during my stay in New Zealand,<br />

and four of them have been white. This one had to be different. I also wanted a manual gear change<br />

(none of this poofy automatic nonsense, thank you very much). My tour round the car yards was highly<br />

depressing and served mainly to convince me just how many white, automatic cars there were in my<br />

price range.<br />

As I was about to give up, I found a grey Mazda Familia with electrical everything (it is stuffed full of<br />

gadgets, and I like gadgets) so I bought it. Its only drawback is that it has maroon upholstery and it<br />

looks like a tart's boudoir. But I can put up with that for the sake of the electric windows and the switch<br />

that makes the wing mirrors fold in to the body of the car so it is easier to park in narrow spaces. It also<br />

has a cup holder. But best of all, it has air conditioning and since we are now approaching the time of<br />

year when Auckland gets humid and muggy I am really looking forward to using it. Vroom, vroom!<br />

Tor have recently republished L. Neil Smith's <strong>The</strong> Probability Broach. It is a sub-Heinlein adventure

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