Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
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100<br />
ArtConnect: The <strong>IFA</strong> Magazine, Volume 6, Number 1<br />
also go deeper into <strong>the</strong> <strong>for</strong>est and<br />
follow its mysterious and expanding<br />
paths. An epic text offers all <strong>the</strong>se<br />
possibilities.<br />
A text allows several interpretations<br />
and retellings. The text blends with<br />
<strong>the</strong> mind of <strong>the</strong> readers and assumes a<br />
thousand different meanings.<br />
Different life experiences can add and<br />
remove parts of <strong>the</strong> text. Since a text<br />
allows such liberties I did a retelling of<br />
my own in one of my stories called<br />
Forest. The last section of <strong>the</strong> story<br />
reads as follows:<br />
Nobody was willing to accept Sita’s<br />
decision. They said it was not proper<br />
to refuse to go when <strong>the</strong> king of<br />
Ayodhya himself had come to take her<br />
back. What was her goal, after all?<br />
What was she seeking? Then <strong>the</strong>re<br />
were Hanuman’s long appeals. The<br />
denunciations of <strong>the</strong> rest of <strong>the</strong>m. She<br />
could not recover from her sense of<br />
having gone somewhere beneath <strong>the</strong><br />
earth, somewhere so deep that nobody<br />
could reach her.<br />
She rose to her feet and looked<br />
around <strong>the</strong> cottage. This time it would<br />
be a total renunciation. A lone journey<br />
which left behind all those who were<br />
known to her, those who spoke<br />
lovingly, who dispensed advice. A<br />
journey that would be long, that went<br />
very deep.<br />
The more she walked, <strong>the</strong> more <strong>the</strong><br />
<strong>for</strong>est seemed to extend. She crossed<br />
<strong>the</strong> river, went past a waterfall, and<br />
walked on; saw <strong>the</strong> deer drinking at a<br />
small stream, was shocked by deereating<br />
tigers, delighted in <strong>the</strong> sight of<br />
baby elephants running alongside <strong>the</strong><br />
herd, encountered nights through<br />
which owls’ eyes glowed, observed <strong>the</strong><br />
shimmering of green leaves as <strong>the</strong> sun’s<br />
rays fell upon <strong>the</strong>m, was surprised by<br />
<strong>the</strong> leaping of monkeys from branch<br />
to branch, <strong>the</strong>ir young clinging to <strong>the</strong>ir<br />
bellies. She walked on. Eagerly.<br />
Wearily. She rested.<br />
And again she walked.<br />
Their meeting took place early one<br />
morning. A time when not even <strong>the</strong><br />
sound of birds was to be heard. The<br />
sun was hidden, secretive in <strong>the</strong> skies.<br />
Far away she saw a small hut. The dim<br />
light of a lamp flickered through it.<br />
The sound of a musical instrument<br />
came to her, tearing <strong>the</strong> darkness. As<br />
she came nearer and nearer, she<br />
recognized it as vinai music. A tune