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Layout 3 - India Foundation for the Arts - IFA

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100<br />

ArtConnect: The <strong>IFA</strong> Magazine, Volume 6, Number 1<br />

also go deeper into <strong>the</strong> <strong>for</strong>est and<br />

follow its mysterious and expanding<br />

paths. An epic text offers all <strong>the</strong>se<br />

possibilities.<br />

A text allows several interpretations<br />

and retellings. The text blends with<br />

<strong>the</strong> mind of <strong>the</strong> readers and assumes a<br />

thousand different meanings.<br />

Different life experiences can add and<br />

remove parts of <strong>the</strong> text. Since a text<br />

allows such liberties I did a retelling of<br />

my own in one of my stories called<br />

Forest. The last section of <strong>the</strong> story<br />

reads as follows:<br />

Nobody was willing to accept Sita’s<br />

decision. They said it was not proper<br />

to refuse to go when <strong>the</strong> king of<br />

Ayodhya himself had come to take her<br />

back. What was her goal, after all?<br />

What was she seeking? Then <strong>the</strong>re<br />

were Hanuman’s long appeals. The<br />

denunciations of <strong>the</strong> rest of <strong>the</strong>m. She<br />

could not recover from her sense of<br />

having gone somewhere beneath <strong>the</strong><br />

earth, somewhere so deep that nobody<br />

could reach her.<br />

She rose to her feet and looked<br />

around <strong>the</strong> cottage. This time it would<br />

be a total renunciation. A lone journey<br />

which left behind all those who were<br />

known to her, those who spoke<br />

lovingly, who dispensed advice. A<br />

journey that would be long, that went<br />

very deep.<br />

The more she walked, <strong>the</strong> more <strong>the</strong><br />

<strong>for</strong>est seemed to extend. She crossed<br />

<strong>the</strong> river, went past a waterfall, and<br />

walked on; saw <strong>the</strong> deer drinking at a<br />

small stream, was shocked by deereating<br />

tigers, delighted in <strong>the</strong> sight of<br />

baby elephants running alongside <strong>the</strong><br />

herd, encountered nights through<br />

which owls’ eyes glowed, observed <strong>the</strong><br />

shimmering of green leaves as <strong>the</strong> sun’s<br />

rays fell upon <strong>the</strong>m, was surprised by<br />

<strong>the</strong> leaping of monkeys from branch<br />

to branch, <strong>the</strong>ir young clinging to <strong>the</strong>ir<br />

bellies. She walked on. Eagerly.<br />

Wearily. She rested.<br />

And again she walked.<br />

Their meeting took place early one<br />

morning. A time when not even <strong>the</strong><br />

sound of birds was to be heard. The<br />

sun was hidden, secretive in <strong>the</strong> skies.<br />

Far away she saw a small hut. The dim<br />

light of a lamp flickered through it.<br />

The sound of a musical instrument<br />

came to her, tearing <strong>the</strong> darkness. As<br />

she came nearer and nearer, she<br />

recognized it as vinai music. A tune

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