29.03.2013 Views

Layout 3 - India Foundation for the Arts - IFA

Layout 3 - India Foundation for the Arts - IFA

Layout 3 - India Foundation for the Arts - IFA

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

kshatriya values of conquest and<br />

protection must be defended and<br />

brahmanas shown deference; <strong>the</strong> use<br />

of violence is called <strong>for</strong> whenever <strong>the</strong><br />

Brahmanical Dharma is in danger and<br />

needs to be protected.<br />

There are some traces, though, of<br />

earlier <strong>for</strong>ms of society, <strong>for</strong> example<br />

when <strong>the</strong> king is about to hold <strong>the</strong><br />

ashvamedha and o<strong>the</strong>r ceremonies he<br />

consults with <strong>the</strong> elders, both of his<br />

family and o<strong>the</strong>rs. In <strong>the</strong> clan society,<br />

typically, elders are always consulted if<br />

any serious decision is to be made or<br />

action taken. The praja, <strong>the</strong> subjects,<br />

try to hold back Rama, Sita and<br />

Lakshmana from going into exile<br />

despite <strong>the</strong>ir knowing <strong>the</strong>re is a royal<br />

order—once again, a remnant of <strong>the</strong><br />

old clan society. We are constantly<br />

reminded that arajya, <strong>the</strong> absence of<br />

kingship, is a state of chaos. The exile<br />

arises out of a crisis of primogeniture;<br />

if primogeniture had been observed<br />

<strong>the</strong>re would have been no crisis<br />

because Rama would automatically<br />

have become <strong>the</strong> king.<br />

I would like to argue that <strong>the</strong> society<br />

of <strong>the</strong> rakshasa in Valmiki’s Ramayana<br />

is a clan-based society and <strong>the</strong>re<strong>for</strong>e<br />

inherently <strong>the</strong> enemy of <strong>the</strong> kingdom<br />

of Ayodhya. (Not all clans are<br />

enemies, though; <strong>the</strong> Vanaras,<br />

Myth Retold – Romila Thapar<br />

although a clan society, are allies.) In<br />

its organisation and functioning, <strong>the</strong><br />

rakshasa society is more like <strong>the</strong> ganasangha<br />

and con<strong>for</strong>ms little to <strong>the</strong><br />

Kautilyan model. Ravana is <strong>the</strong> chief<br />

who, in a crisis, always consults his<br />

main support who are his kinsmen.<br />

The rakshasas have no territorial<br />

boundaries; <strong>the</strong>y wander freely<br />

everywhere. Access to large <strong>for</strong>ested<br />

areas was of course essential to <strong>the</strong><br />

basic occupation of clan societies:<br />

hunting and ga<strong>the</strong>ring, pastoralism,<br />

shifting cultivation, and tapping<br />

mineral wealth and <strong>for</strong>est produce.<br />

There<strong>for</strong>e, since <strong>the</strong> <strong>for</strong>est was crucial<br />

to <strong>the</strong>ir society and <strong>the</strong>ir economy,<br />

people encroaching into <strong>the</strong> <strong>for</strong>est<br />

were to be resisted. So it was natural<br />

that Rama entering <strong>the</strong> <strong>for</strong>est would<br />

be resisted by <strong>the</strong> <strong>for</strong>est dwellers, <strong>the</strong><br />

rakshasas.<br />

Lanka is described as resplendent but<br />

little is said about <strong>the</strong> source of this<br />

wealth. One suspects that this is <strong>the</strong><br />

poet’s fantasy coming into play. The<br />

fabulous wealth of <strong>the</strong> city of Lanka is<br />

doubtless an attempt to show that this<br />

was an extraordinary enemy that<br />

Rama was contesting. The rakshasas<br />

do not observe caste, or <strong>the</strong> rules of<br />

commensality, pollution or marriage,<br />

which are crucial to caste societies,<br />

and <strong>the</strong>y attack Brahmanical rites.<br />

39

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!