Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
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kshatriya values of conquest and<br />
protection must be defended and<br />
brahmanas shown deference; <strong>the</strong> use<br />
of violence is called <strong>for</strong> whenever <strong>the</strong><br />
Brahmanical Dharma is in danger and<br />
needs to be protected.<br />
There are some traces, though, of<br />
earlier <strong>for</strong>ms of society, <strong>for</strong> example<br />
when <strong>the</strong> king is about to hold <strong>the</strong><br />
ashvamedha and o<strong>the</strong>r ceremonies he<br />
consults with <strong>the</strong> elders, both of his<br />
family and o<strong>the</strong>rs. In <strong>the</strong> clan society,<br />
typically, elders are always consulted if<br />
any serious decision is to be made or<br />
action taken. The praja, <strong>the</strong> subjects,<br />
try to hold back Rama, Sita and<br />
Lakshmana from going into exile<br />
despite <strong>the</strong>ir knowing <strong>the</strong>re is a royal<br />
order—once again, a remnant of <strong>the</strong><br />
old clan society. We are constantly<br />
reminded that arajya, <strong>the</strong> absence of<br />
kingship, is a state of chaos. The exile<br />
arises out of a crisis of primogeniture;<br />
if primogeniture had been observed<br />
<strong>the</strong>re would have been no crisis<br />
because Rama would automatically<br />
have become <strong>the</strong> king.<br />
I would like to argue that <strong>the</strong> society<br />
of <strong>the</strong> rakshasa in Valmiki’s Ramayana<br />
is a clan-based society and <strong>the</strong>re<strong>for</strong>e<br />
inherently <strong>the</strong> enemy of <strong>the</strong> kingdom<br />
of Ayodhya. (Not all clans are<br />
enemies, though; <strong>the</strong> Vanaras,<br />
Myth Retold – Romila Thapar<br />
although a clan society, are allies.) In<br />
its organisation and functioning, <strong>the</strong><br />
rakshasa society is more like <strong>the</strong> ganasangha<br />
and con<strong>for</strong>ms little to <strong>the</strong><br />
Kautilyan model. Ravana is <strong>the</strong> chief<br />
who, in a crisis, always consults his<br />
main support who are his kinsmen.<br />
The rakshasas have no territorial<br />
boundaries; <strong>the</strong>y wander freely<br />
everywhere. Access to large <strong>for</strong>ested<br />
areas was of course essential to <strong>the</strong><br />
basic occupation of clan societies:<br />
hunting and ga<strong>the</strong>ring, pastoralism,<br />
shifting cultivation, and tapping<br />
mineral wealth and <strong>for</strong>est produce.<br />
There<strong>for</strong>e, since <strong>the</strong> <strong>for</strong>est was crucial<br />
to <strong>the</strong>ir society and <strong>the</strong>ir economy,<br />
people encroaching into <strong>the</strong> <strong>for</strong>est<br />
were to be resisted. So it was natural<br />
that Rama entering <strong>the</strong> <strong>for</strong>est would<br />
be resisted by <strong>the</strong> <strong>for</strong>est dwellers, <strong>the</strong><br />
rakshasas.<br />
Lanka is described as resplendent but<br />
little is said about <strong>the</strong> source of this<br />
wealth. One suspects that this is <strong>the</strong><br />
poet’s fantasy coming into play. The<br />
fabulous wealth of <strong>the</strong> city of Lanka is<br />
doubtless an attempt to show that this<br />
was an extraordinary enemy that<br />
Rama was contesting. The rakshasas<br />
do not observe caste, or <strong>the</strong> rules of<br />
commensality, pollution or marriage,<br />
which are crucial to caste societies,<br />
and <strong>the</strong>y attack Brahmanical rites.<br />
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