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Layout 3 - India Foundation for the Arts - IFA

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26<br />

Monkeys and Bears fighting/carousing in <strong>the</strong> Madhuvana grove, ascribed to Pandit Seu, c. 1720,<br />

courtesy Museum Rietberg, Zurich.<br />

<strong>the</strong> eyes of <strong>the</strong> fake sadhu abducting<br />

Sita, whereas in <strong>the</strong> Andhra version <strong>the</strong><br />

wounded bird falls as <strong>the</strong> demon<br />

rushes past. In all <strong>the</strong>se versions, Jatayu<br />

remains un<strong>for</strong>gettable.<br />

There are two registers of mourning<br />

and cremation in <strong>the</strong> Andhra<br />

Ramayana. In <strong>the</strong> upper half, pathos<br />

gets accentuated in <strong>the</strong> darkened<br />

drawing of weeping wives of Ravana as<br />

<strong>the</strong>y fall in a heap over his body<br />

slipping from <strong>the</strong>ir grasp. In <strong>the</strong> lower<br />

register red flames and vapours rising<br />

from <strong>the</strong> body upon <strong>the</strong> pyre appear to<br />

singe its borders. In <strong>the</strong> Mewar folio,<br />

cremation is consigned to one of <strong>the</strong><br />

three registers. On <strong>the</strong> upper<br />

horizontal band in scorching yellow,<br />

preparations <strong>for</strong> <strong>the</strong> cremation are<br />

afoot with monkeys carrying firewood<br />

etc, while in <strong>the</strong> left bottom space,<br />

Rama converses with an assembly of<br />

men and monkeys led by Vibhishana

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