Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
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42<br />
ArtConnect: The <strong>IFA</strong> Magazine, Volume 6, Number 1<br />
change in narrative has to do with a<br />
local situation or custom. In this<br />
manner <strong>the</strong> story gets appropriated by<br />
a local community. The Ramlilas<br />
per<strong>for</strong>med by various local<br />
communities were merely continuing a<br />
tradition going back many centuries.<br />
The Germ of a Conflict?<br />
But to return to <strong>the</strong> three variants that<br />
I have discussed, I am puzzled by <strong>the</strong><br />
changes in each. Among o<strong>the</strong>r things,<br />
<strong>the</strong>y seem to involve <strong>the</strong> politics of<br />
early clans, which may be a possible<br />
reason <strong>for</strong> <strong>the</strong> elaboration of <strong>the</strong> ramakatha<br />
into <strong>the</strong> Valmiki Ramayana and<br />
<strong>the</strong> counter epic, <strong>the</strong> Paumachariya. A<br />
statement is made—and this is where<br />
my speculation comes in—in <strong>the</strong><br />
Ramayana, more or less as an aside,<br />
and briefly in <strong>the</strong> Mahabharata, as<br />
also in <strong>the</strong> Puranas, that certain clans<br />
descended from Yadu and coming<br />
largely from western <strong>India</strong>, attacked<br />
Ayodhya at some point and devastated<br />
it. These clans were <strong>the</strong> Haihayas, <strong>the</strong><br />
Talajanghas who were referred to as<br />
rakshasas very often, and also <strong>the</strong><br />
Chedis. The Chedis had a very high<br />
status since <strong>the</strong>ir much revered<br />
ancestor Uparichara, had been given<br />
an aerial chariot by Indra himself, and<br />
was <strong>the</strong>re<strong>for</strong>e referred to as<br />
Akashamargi, <strong>the</strong> traveller in <strong>the</strong> sky.<br />
Sagara, in <strong>the</strong> Ikshvaku line, an<br />
ancestor of Rama, sought revenge <strong>for</strong><br />
this attack. He fought <strong>the</strong> Chedis and<br />
<strong>the</strong> Haihaya clans and drove <strong>the</strong>m<br />
back to <strong>the</strong> region of Mahishmati—<br />
now known as a famous archaeological<br />
site south of Ujjain on <strong>the</strong> river<br />
Narmada.<br />
Could this have been <strong>the</strong> germ of <strong>the</strong><br />
epic conflict: <strong>the</strong> two major clans<br />
confronting each o<strong>the</strong>r, <strong>the</strong> Ikshvakus<br />
of whom Rama is a descendent, and<br />
<strong>the</strong> Chedis? Was Ravana linked to <strong>the</strong><br />
Chedis? The Ikshvakus are very<br />
familiar to us from <strong>the</strong> lineage of<br />
Rama, what was later called <strong>the</strong><br />
Suryavamsha. The Chedis and <strong>the</strong><br />
Haihayas were <strong>the</strong>n assigned to <strong>the</strong><br />
o<strong>the</strong>r lineage called <strong>the</strong><br />
Chandravamsha. Both lineages were<br />
named after <strong>the</strong> major planets, <strong>the</strong> sun<br />
and <strong>the</strong> moon, and were thus both<br />
antagonistic and complementary.<br />
The Chedis are a very important clan<br />
in <strong>the</strong> Buddhist texts—I mentioned<br />
<strong>the</strong> reference to 60,000 Chedi rajas.<br />
The Paumachariya tells us that Ravana<br />
was of <strong>the</strong> Meghavahana line and<br />
opposed to <strong>the</strong> Ikshvakus. Given all<br />
this in<strong>for</strong>mation we could ask, not<br />
necessarily if <strong>the</strong> attack on Ayodhya<br />
and <strong>the</strong> retaliation actually happened,<br />
but more simply whe<strong>the</strong>r <strong>the</strong>re is<br />
historical reference to <strong>the</strong>