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Layout 3 - India Foundation for the Arts - IFA

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origin. First, time-transcending<br />

heroes in <strong>the</strong> major epics of <strong>the</strong> world<br />

usually have a deviant or mysterious<br />

history of birth. Sigmund Freud,<br />

writing on Moses as <strong>the</strong> emancipator<br />

of <strong>the</strong> Jews from slavery in Egypt and<br />

<strong>the</strong>ir supreme lawgiver, finds enough<br />

clues in <strong>the</strong> texts to propose that<br />

Moses was a prince belonging to <strong>the</strong><br />

Egyptian nobility who rebelled<br />

against his own kind. He was an<br />

outsider who became an insider.<br />

From <strong>the</strong> writings of Otto Rank and<br />

Joseph Campbell, too, one learns that<br />

<strong>the</strong>re has to be some play of alien<br />

selves within epic heroes to account<br />

<strong>for</strong> <strong>the</strong> ever-intriguing mix in <strong>the</strong>m of<br />

<strong>the</strong> familiar and <strong>the</strong> unfamiliar, <strong>the</strong><br />

earthly and <strong>the</strong> unearthly, and <strong>the</strong><br />

intimate and <strong>the</strong> distant. Perhaps<br />

that also is a reason why <strong>the</strong>y are<br />

open-ended enough to make sense to<br />

diverse communities and cultures and<br />

concurrently stand diverse<br />

interpretations and uses. They cannot<br />

be owned by any community or<br />

culture; nor can any interpretation of<br />

<strong>the</strong>m be frozen or clinched.<br />

Epic Culture – Ashis Nandy<br />

A record of exile or a momentous<br />

journey is ano<strong>the</strong>r crucial feature of<br />

epic heroes. In this respect, too, <strong>India</strong>n<br />

epics are not different. The exile can<br />

be direct or indirect, territorial or<br />

psychological, realistic or mythic. The<br />

journey, too, is critical to <strong>the</strong> making<br />

of <strong>the</strong> hero and often ends up defining<br />

him. He is tempered by his experience<br />

and reintroduced to himself by his<br />

trials and tribulations. Both his<br />

successes and his failures contribute to<br />

<strong>the</strong> expansion of his self-definition<br />

and this redefinition prepares him <strong>for</strong><br />

his larger-than-life role. It is during an<br />

exile or a journey through a series of<br />

events that he gets glimpses of his<br />

extraordinariness by battling his own<br />

ordinariness and human frailties. He<br />

has to conquer his fears, anxiety and<br />

cowardice, on <strong>the</strong> one hand, and his<br />

numerous temptations on <strong>the</strong> o<strong>the</strong>r.<br />

Sometimes he succumbs or falters.<br />

After going through his unique<br />

experiences, a hero’s heroic self<br />

emerges but its connection with his<br />

own mortality, too, is also<br />

A record of exile or a momentous journey is ano<strong>the</strong>r<br />

crucial feature of epic heroes. The exile can be direct<br />

or indirect, territorial or psychological, realistic or<br />

mythic.<br />

63

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