Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
Layout 3 - India Foundation for the Arts - IFA
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Meghavahanas. Fortunately <strong>the</strong>re is an<br />
early inscription that provides a clue<br />
to <strong>the</strong>ir identity. A king called<br />
Kharavela ruling in Orissa in about<br />
<strong>the</strong> first century BC issued a long<br />
inscription, which is somewhat<br />
autobiographical. His provides data on<br />
his birth, his upbringing, where he<br />
went, what he did, his conquests and<br />
campaigns and <strong>the</strong> usual narrative of a<br />
king’s life. He also claims to be an<br />
ardent Jaina. All royal inscriptions<br />
begin by giving <strong>the</strong> identity of <strong>the</strong><br />
king. The dynasty he belongs to, his<br />
lineage and its origins are stated.<br />
There<strong>for</strong>e, Kharavela begins his<br />
inscription by stating his identity as<br />
Chedi and belonging to <strong>the</strong><br />
Meghavahana lineage.<br />
Many dynasties claiming Haihaya and<br />
Chedi ancestry established kingdoms<br />
all along <strong>the</strong> Vindhyas and <strong>the</strong> river<br />
Narmada in <strong>the</strong> early centuries AD.<br />
They even used <strong>the</strong>ir own calculation<br />
of time-reckoning that came to be<br />
called <strong>the</strong> Chedi era beginning in <strong>the</strong><br />
equivalent of 248 AD. A number of<br />
<strong>the</strong>m were also patrons of <strong>the</strong> Jaina<br />
sects. Dynasties claiming a Chedi<br />
connection were a major political<br />
presence in <strong>the</strong> region. This is <strong>the</strong><br />
same area where some of us have been<br />
locating Lanka. A hint of this<br />
connection between Ravana and <strong>the</strong><br />
Myth Retold – Romila Thapar<br />
Chedis comes in indirect ways.<br />
Ravana in Valmiki’s Ramayana is<br />
frequently described as being like a<br />
dark rain-laden thundercloud, like a<br />
Meghavahana. One of Ravana’s claims<br />
to fame was his aerial chariot. And<br />
this was <strong>the</strong> boast of <strong>the</strong> Chedis,<br />
referring to Indra’s gift to <strong>the</strong>ir<br />
ancestor Uparichara.<br />
Was Valmiki <strong>the</strong>n retelling <strong>the</strong> story<br />
of <strong>the</strong> conflict with Rama instead of<br />
Sagara and Ravana instead of <strong>the</strong><br />
leader of <strong>the</strong> Haihayas and <strong>the</strong><br />
Chedis, demonising <strong>the</strong> latter into<br />
rakshasas? Vimala Suri would have<br />
had two reasons <strong>for</strong> writing a counterepic.<br />
One was to de-demonise, as it<br />
were, <strong>the</strong> rakshasas and show <strong>the</strong>m as<br />
part of <strong>the</strong> Meghavahana lineage of<br />
<strong>the</strong> Chedi rulers who were patrons of<br />
<strong>the</strong> Jainas; and <strong>the</strong> o<strong>the</strong>r was to<br />
convert <strong>the</strong> popular rama-katha into a<br />
narrative supporting Jaina teaching in<br />
<strong>the</strong> same way as it had been converted<br />
to <strong>the</strong> worship of Vishnu.<br />
This period was <strong>the</strong> beginning of <strong>the</strong><br />
propagation of Vaishnavism by <strong>the</strong><br />
Bhagavata sect. It was a politically<br />
important ideology because it<br />
introduced <strong>the</strong> idea of <strong>the</strong> king being<br />
an avatara of a deity. This is not <strong>the</strong><br />
same as <strong>the</strong> concept of divine will; it is<br />
simply <strong>the</strong> belief that <strong>the</strong> king also has<br />
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