The Biographies of Rechungpa: The Evolution of a Tibetan ...
The Biographies of Rechungpa: The Evolution of a Tibetan ...
The Biographies of Rechungpa: The Evolution of a Tibetan ...
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<strong>Rechungpa</strong>’s strange illness and cure 125<br />
Marpa’s instructions he then flew to the eastern land <strong>of</strong> Abhirati, where he was born as<br />
the King’s second son. He renounced the kingdom for the last twelve years <strong>of</strong> his life,<br />
dying in his seventieth year. He was then reborn into an artist’s family in Kathmandu, but<br />
died in his thirty-seventh year, to be the reborn as Yonten Zangpo. 100<br />
Though Yonten Zangpo was the pupil <strong>of</strong> many Kagyu masters, his biography is<br />
primarily recorded in the Drigung Kagyu school. Whether this is an authentic record <strong>of</strong><br />
the first Karmapa’s pronouncement or not, it shows that the Darma Dodé re-animation as<br />
Tipupa was not universally known or accepted within the Kagyupa tradition.<br />
Gyadangpa does not specify who Tipupa’s teacher was, but does say that Tipupa<br />
passes on the teachings <strong>of</strong> Maitripa, which agrees with <strong>The</strong> Blue Annals’ identification <strong>of</strong><br />
him as the latter’s pupil. Montsepa states that Tipupa received instructions from Maitripa<br />
and also Ghayadhara [sic], who will be discussed latter.<br />
Jamyang Chökyi Drakpa (‘Jam-dbyangs Chos-kyi Grags-pa) does not include the<br />
pigeon story, but states that Tipupa was born to Gayadhara and a female attendant <strong>of</strong><br />
Nāropa’s.<br />
Similarly, Lhatsun Rinchen Namgyal does not include the pigeon story. Instead,<br />
Tipupa gives a description <strong>of</strong> his own family. He states that he received teaching from his<br />
own (unnamed) father, who had received it from Ghayadhara [sic], who was a pupil <strong>of</strong><br />
both Nāropa and Maitripa. Lhatsun appears to make Tipupa <strong>of</strong> a later generation than that<br />
<strong>of</strong> Maitripa’s pupils, perhaps to make <strong>Rechungpa</strong>’s life overlap more easily with his. In<br />
fact Lhatsun states that Tipupa was a child when he received this instruction from both<br />
his father and his father’s teacher, Ghayadhara.<br />
<strong>The</strong>re was a Gayādhara—the spelling in the Kangyur (bKa’—‘gyur) colophons—in<br />
the Lamdré (Lam-‘bras) histories <strong>of</strong> the Sakya (iSa-skya). <strong>The</strong>re is a Gayadhara (without<br />
the lengthened vowel) who was a pupil <strong>of</strong> Avadhūti in the lneage <strong>of</strong> Virupa, the principal<br />
source <strong>of</strong> the Sakya tradition. He was a principal teacher <strong>of</strong> Dromi Lotsawa (‘Brog-mi<br />
Lo-tsā-ba, 992–1072) and therefore the source <strong>of</strong> the Lamdré that is characteristic <strong>of</strong> the<br />
Sakya school founded in Tibet by a pupil <strong>of</strong> Dromi Lotsawa. This Gayadhara was<br />
therefore a contemporary <strong>of</strong> Nāropa and Maitripa.<br />
<strong>The</strong> identity <strong>of</strong> Gayadhara presents a problem, as Cyrus Stearns has demonstrated. He<br />
appears to have been conflated with other masters, such as Prajñendraruci, who was the<br />
other principal teacher <strong>of</strong> Dromi Lotsawa. Prajñendraruci was a teacher <strong>of</strong> the sexual<br />
practices <strong>of</strong> Inadrabhuti and is much reviled in <strong>Tibetan</strong> religious history under such<br />
names as Atsara Marpo (Ātsara dmar-po).<br />
<strong>The</strong> seventeenth-century Karma Chamay (Karma Chags-med) demonstrates a weak<br />
grasp <strong>of</strong> history by conflating Gayadhara with Śraddhākaravarman, the teacher <strong>of</strong><br />
Rinchen Zangpo (958–1055), while still crediting him with being the father <strong>of</strong> Tipupa. 101<br />
It is probably a process <strong>of</strong> conflation that resulted in Gayadhara, who was Dromi<br />
Lotsawa’s teacher and therefore a younger contemporary <strong>of</strong> Nāropa, (circa, 956–1040)<br />
having his life extended as far as the early twelfth century, building up a number <strong>of</strong><br />
names and visits to Tibet.<br />
It appears that Götsang Repa fused together two narrative traditions. In <strong>Rechungpa</strong>’s<br />
earlier visit, he is told the pigeon story, as it occurs in Tsangnyön Heruka’s biography <strong>of</strong><br />
Marpa, but later, when <strong>Rechungpa</strong> is Tipupa’s pupil, there is no mention <strong>of</strong> it. Instead,<br />
Tipupa’s father is said to be Ghayadhara [sic] himself, thus not adding an extra<br />
generation as Lhatsun Rinchen Namgyal did. <strong>The</strong> obscure Candragarbha, who in <strong>The</strong> Life