The Biographies of Rechungpa: The Evolution of a Tibetan ...
The Biographies of Rechungpa: The Evolution of a Tibetan ...
The Biographies of Rechungpa: The Evolution of a Tibetan ...
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<strong>The</strong> biographies <strong>of</strong> <strong>Rechungpa</strong> 152<br />
Ma Lotsawa confronts him, accusing him <strong>of</strong> being up to no good. Tipupa’s wife comes to<br />
<strong>Rechungpa</strong>’s defence. <strong>The</strong> wife is otherwise not mentioned, and her narrative purpose is<br />
unclear here. But it may be a remnant from an earlier version, for Tipupa shortly<br />
thereafter initiates <strong>Rechungpa</strong> into sexual practice, to which <strong>Rechungpa</strong> applies himself<br />
assiduously. It is not said with whom he is being so diligent, but during the formal<br />
initiation, the pupil was meant to engage in sexual intercourse with the guru’s consort,<br />
after the guru has done so. <strong>The</strong> initiation was only given to one pupil at a time in what is<br />
known as a ‘single transmission’ (cig-brgyud) though this term has <strong>of</strong>ten been<br />
misunderstood as the lama only ever transmitting it once to one person. <strong>The</strong>re were such<br />
instances, as are described in our sources, but there is also ample evidence <strong>of</strong> many<br />
contemporary practitioners and teachers <strong>of</strong> ‘single transmissions’ in both India and Tibet.<br />
In the Karma Kagyu, the second Shamarpa ended the tradition <strong>of</strong> single transmissions <strong>of</strong><br />
Vajravārāhī, citing the authorisation <strong>of</strong> prophecy, and thereafter initiation and instructions<br />
were given to groups <strong>of</strong> people and the physical sex had been replaced by symbolism.<br />
During <strong>Rechungpa</strong>’s time, however, the initiation was a secret experience. Tipupa would<br />
have been advanced in years at this time, but his wife could still have been much<br />
younger. <strong>The</strong>re are accounts <strong>of</strong> both Indian and <strong>Tibetan</strong> masters, such as Ma Lotsawa and<br />
Dampa Sang-gye (Dam-pa Sangs-rgyas) having temporary partnerships with very young<br />
consorts. 51<br />
Tipupa transmits to <strong>Rechungpa</strong> the Maitripa lineage <strong>of</strong> and<br />
Vajravārāhī (which includes the bodiless teachings, which contain the sexual<br />
practices). <strong>Rechungpa</strong> then holds a to thank Tipupa and sings to him, giving<br />
a list <strong>of</strong> the eleven teachings he has received, 52 which includes only four <strong>of</strong> the<br />
and omits the mahāmudrā, so that the song agrees with those<br />
narratives that have <strong>Rechungpa</strong> going to India for only four dharmas.<br />
After a brief song <strong>of</strong> farewell, <strong>Rechungpa</strong> returns to Nepal, where he meets Bharima<br />
in the street. He pretends to have gained clairvoyance and sings a song in which he<br />
‘realises’ from her physical features, etc., the information he has actually discovered in<br />
India. For example, he sings that her bloodshot eyes reveal that she meditates on<br />
Vajrayoginī, which is the very information she had previously refused to give him. 53<br />
Bharima does not fall for the trick, realising that <strong>Rechungpa</strong> has become a pupil <strong>of</strong><br />
Tipupa and invites him to her home. But <strong>Rechungpa</strong> has already been invited to stay with<br />
another patroness, so in accordance with local manners, Bharima sends a servant to<br />
formally invite him. At her home, Bharima allows <strong>Rechungpa</strong> to copy out the texts she<br />
possesses. And then he leaves for Tibet. 54<br />
<strong>The</strong> Kagyu Garland <strong>of</strong> Wish-fulfilling Jewels<br />
Unfortunately, <strong>The</strong> Kagyu Garland <strong>of</strong> Wish-fulfilling Jewels, which is closely related to<br />
Gyadangpa and also to <strong>The</strong> Great Garland <strong>of</strong> Gold does not contain this part <strong>of</strong> the<br />
narrative, principally because it does not have a separate biography dedicated to<br />
<strong>Rechungpa</strong>.