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BRITAIN'S HISTORICAL DRAMA; A SECOND SERIES OF national Crajjeirus!, INTENDED TO ILLUSTRATE THE MANNERS, CUSTOMS, AND RELIGIOUS INSTITUTIONS OP DIFFERENT ERAS IN BRITAIN. ' ' Tragedy, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all poems. The Apostle Paul himself thought it not unworthy to insert a verse of Euripides into the text of Holy Scripture. Therefore men in highest dignity have laboured not a little to be thought able to compose a Tragedy." MILTON. LONDON : HENRY STOCKING, 25, KING WILLIAM STREET, LONDON BRIDGE. MDCCCXXXIX.
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NOTES. (*) While I behold the stern
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TO DANIEL CABANEL, ESQ., OF BATH, A
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THE DEVOTED ONE. ACT I. SCENE I. Se
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Scene I.] THE DEVOTED ONE. To hear
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(1) NOTES. /'// put two straws To-n
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THE VARANGIAN; OR, MASONIC HONOUR.
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THE VARANGIAN. ACT I. SCENE I. A Ha
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Scene 1. 1 THE VARANGIAN. 267 That
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Scene II.] Of power unbridled ! Wha
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Act II.] THE VARANGIAN. 291 ACT II.
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Act III.] THE VARANGIAN. 331 ACT II
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Scene I.] THE VARANGIAN. 333 The se
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Scene II.] THE VARANGIAN. 335 With
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Scene II.] THE VARANGIAN. 33? While
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Scene II.] THE VARANGIAN. 339 Amid
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Scene III.] THE VARANGIAN. 341 TABI
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Scene III.] THE VARANGIAN. 343 Have
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Scene III.] THE VARANGIAN. About ou
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Scene III.] THE VARANGIAN. 353 Sore
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Scene IV.] THE VARANGIAN. 355 Yet,
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Scene IV.] THE VARANGIAN. 357 What
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Scene V.] THE VARANGIAN. 359 In all
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Scene V.] THE VARANGIAN. 361 When t
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Scene V.] THE VARANGIAN. 363 My hea
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Act IV.] THE VARANGIAN. 365 ACT IV.
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Scene I.I THE VARANGIAN. 36? OSMOND
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Scene I.] THE VARANGIAN. 369 Which
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Scene I.] THE VARANGIAN. 371 Are pr
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Scene I.] THE VARANGIAN. To such a
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Scene I.] THE VARANGIAN. Sedition's
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Scene II.] THE VARANGIAN. 377 North
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Scene II.] THE VARANGIAN. KING. Sca
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Scene II.] THE VARANGIAN. 381 FITZ-
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Scene II. 1 THE VARANGIAN. 383 No p
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Scene II.] THE VARANGIAN. 385 husba
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Scene II.] THE VARANGIAN. 387 In th
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Scene II.] THE VARANGIAN. 389 May t
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Scene II. THE VARANGIAN. 391 So lon
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Scene I.] THE VARANGIAN. 393 EDGAIl
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Scene I.] THE VARANGIAN. EDGAR. My
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Scene I.] THE VARANGIAN. 397 Eterna
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Scene I.] THE VARANGIAN. 399 KING.
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Scene II.] THE VARANGIAN. 401 The b
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Scene II.] THE VARANGIAN. 403 The t
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Scene III.] THE VARANGIAN. 405 Of l
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Scene III.] THE VARANGIAN. 407 In w
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Scene III.] THE VARANGIAN. 409 As i
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Scene III.] I THE VARANGIAN. ZALMIR
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Scene III.] THE VARANGIAN. 413 Fors
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Scene III.] THE VARANGIAN. Thou Nor
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EDGAR'S ADIEU TO ENGLAND. 417 But I
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(!) NOTES. this dull and savage isl
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NOTES TO THE VARANGIAN. 421 obsaeni
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NOTES TO THE VARANGIAN. 423 subject
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NOTES TO THE VARANGIAN. 425 wealth,
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NOTES TO THE VARANGIAN. 427 21 Reno
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NOTES TO THE VARANGIAN. 429 It is c
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NOTES TO THE VARANGIAN. 431 thought
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NOTES TO THE VARANGIAN. 433 no more
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NOTES TO THE VARANGIAN. 435 " In th
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DISSERTATION ORIGIN, ANTIQUITY, AND
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DESCENT OF FREE-MASONRY. 439 state
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DESCENT OF FREE-MASONRY. 441 mens,
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DESCENT OF FREE-MASONRY. 443 most d
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DESCENT OF FREE-MASONRY. 445 as a s
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" drunk ! " DESCENT OF FREE-MASONRY
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DESCENT OF FREE-MASONRY. 449 Masons
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DESCENT OF FREE-MASONRY, Did there
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DESCENT OF FREE-MASONRY. 453 forger
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DESCENT OF FREE-MASONRY. 455 the Dr
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DESCENT OF FREE-MASONRY. 457 We sha
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DESCENT OF FREE-MASONRY. 459 W. Mal
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CRITICAL OPINIONS OF THE FIRST SERI
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CRITICAL OPINIONS OF THE FIRST SERI
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USE
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