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Britain ... - Blue-Lite

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INTRODUCTION.<br />

IF, in this enlightened age, there still exist any lingering<br />

prejudice against Dramatic Poems, it arises, no doubt,<br />

from their supposed connexion with the Stage ; and if<br />

such moral and philosophic writers as Milton, Thomson,<br />

Mason, Milman, Graham, and Mrs. Joanna Baillie, have<br />

not yet been able wholly to eradicate all groundless objections,<br />

it would be unavailing for us to argue against them.<br />

The best confutation we can advance, must be found in<br />

the innocence, morality, and usefulness of the Historical<br />

Dramas themselves, which we submit to the judgment of<br />

the Public. We will, however, quote a noble defence in<br />

favour of ancient and modern fiction, written by that<br />

learned and pious historian, Mr. Sharon Turner.<br />

" Fictitious compositions are so many concentrations of<br />

the scattered virtues of life ; so many personifications of<br />

whatever is amiable and admirable in the manners or conceptions<br />

of the day We may, indeed, say that most<br />

of the romances of our forefathers were advantageous, in<br />

some respect or other, to the progress of their social life.<br />

In every one some vice is made revolting, and some virtue<br />

interesting<br />

It is probable that our best romances and<br />

tales have been, on the whole, nearly as efficacious in their<br />

moral operations as our sermons and our ethics. They<br />

have, at least, been great auxiliaries : society would not<br />

have been what it is without them. . . It is the fault of<br />

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