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The Song of Solomon : and the Lamentations of Jeremiah

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148<br />

THE LAMENTATIONS OF JEREMIAH<br />

<strong>of</strong> <strong>the</strong> facts to express his personal distress in view <strong>of</strong><br />

<strong>the</strong> next item, he prepares us for some rare <strong>and</strong> dread-<br />

ful exhibition <strong>of</strong> misery ; <strong>and</strong> <strong>the</strong> tale that he has<br />

to tell is quite enough to account for <strong>the</strong> start <strong>of</strong><br />

horror with which it is ushered in. <strong>The</strong> poet makes<br />

us listen to <strong>the</strong> cry <strong>of</strong> <strong>the</strong> children. <strong>The</strong>re are babies<br />

at <strong>the</strong> breast fainting from hunger, <strong>and</strong> older children,<br />

able to speak, but not yet able to comprehend <strong>the</strong><br />

helpless circumstances in which <strong>the</strong>ir miserable parents<br />

are placed, calling to <strong>the</strong>ir mo<strong>the</strong>rs for food <strong>and</strong><br />

drink—a piercing appeal, enough to drive to <strong>the</strong> mad-<br />

ness <strong>of</strong> grief <strong>and</strong> despair. Crying in vain for <strong>the</strong><br />

first necessaries <strong>of</strong> hfe, <strong>the</strong>se poor children, hke <strong>the</strong><br />

younger infants, faint in <strong>the</strong> streets, <strong>and</strong> cast <strong>the</strong>mselves<br />

on <strong>the</strong>ir mo<strong>the</strong>rs' bosoms to die.^ This, <strong>the</strong>n, is <strong>the</strong><br />

picture in contemplation <strong>of</strong> which <strong>the</strong> poet completely<br />

breaks down—children swooning in sight <strong>of</strong> all <strong>the</strong><br />

people, <strong>and</strong> dying <strong>of</strong> hunger in <strong>the</strong>ir mo<strong>the</strong>rs' arms !<br />

He must be recaUing scenes <strong>of</strong> <strong>the</strong> late siege. <strong>The</strong>n<br />

<strong>the</strong> fainting little ones, as <strong>the</strong>y sank down pale <strong>and</strong> ill,<br />

resembled <strong>the</strong> wounded men who crept back from <strong>the</strong><br />

fight by <strong>the</strong> walls to fall <strong>and</strong> die in <strong>the</strong> streets <strong>of</strong> <strong>the</strong><br />

beleaguered city.<br />

This is just <strong>the</strong> sharpest sting in <strong>the</strong> sufferings <strong>of</strong> <strong>the</strong><br />

children. <strong>The</strong>y share <strong>the</strong> fearful fate <strong>of</strong> <strong>the</strong>ir seniors,<br />

<strong>and</strong> yet <strong>the</strong>y have had no part in <strong>the</strong> causes that led<br />

to it. We are naturally perplexed as well as distressed<br />

at this piteous spectacle <strong>of</strong> childhood. <strong>The</strong><br />

beauty, <strong>the</strong> simplicity, <strong>the</strong> weakness, <strong>the</strong> tenderness,<br />

<strong>the</strong> sensitiveness, <strong>the</strong> helplessness <strong>of</strong> infancy ap-<br />

peal to our sympathies with peculiar force. But over<br />

<strong>and</strong> above <strong>the</strong>s'e touching considerations <strong>the</strong>re is a

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