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The Song of Solomon : and the Lamentations of Jeremiah

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MYSTICAL INTERPRETATIONS 43<br />

Origen "surpassed himself" in his commentary on<br />

<strong>the</strong> poem—a commentary to v/hich he devoted ten<br />

volumes. According to his view, it was originally<br />

an epithalamium celebrating <strong>the</strong> marriage <strong>of</strong> <strong>Solomon</strong><br />

with Pharaoh's daughter ; but it has secondary mystical<br />

meanings descriptive <strong>of</strong> <strong>the</strong> relation <strong>of</strong> <strong>the</strong> Redeemer<br />

to <strong>the</strong> Church or <strong>the</strong> individual soul. Thus " <strong>the</strong> little<br />

foxes that spoil <strong>the</strong> grapes " are evil thoughts in <strong>the</strong><br />

individual, or heretics in <strong>the</strong> Church. Gregory <strong>the</strong><br />

Great contributes a commentary <strong>of</strong> no lasting interest.<br />

Very different is <strong>the</strong> work <strong>of</strong> <strong>the</strong> great mediaeval monk<br />

St. Bernard <strong>of</strong> Clairvaux, who threw himself into it<br />

with all <strong>the</strong> passion <strong>and</strong> rapture <strong>of</strong> his enthusiastic soul,<br />

<strong>and</strong> in <strong>the</strong> course <strong>of</strong> eighty-six homilies only reached<br />

<strong>the</strong> beginning <strong>of</strong> <strong>the</strong> third chapter in this to him in-<br />

exhaustible mine <strong>of</strong> spiritual wealth, when he died,<br />

h<strong>and</strong>ing on <strong>the</strong> task to his faithful disciple Gilbert Porre-<br />

tanus, who continued it on <strong>the</strong> same portentous scale,<br />

<strong>and</strong> also died before he had finished <strong>the</strong> fifth chapter.<br />

Even while reading <strong>the</strong> old monkish Latin in this late<br />

age we cannot fail to feel <strong>the</strong> glowing devotion that<br />

inspires it. Bernard is addressing his monks, to whom<br />

he says he need not give <strong>the</strong> milk for babes, <strong>and</strong> whom<br />

he exhorts to prepare <strong>the</strong>ir throats not for this milk<br />

but for bread. As a schoolman he cannot escape from<br />

metaphysical subtleties—he takes <strong>the</strong> kiss <strong>of</strong> <strong>the</strong> bridegroom<br />

as a symbol <strong>of</strong> <strong>the</strong> incarnation. But throughout<br />

<strong>the</strong>re burns <strong>the</strong> perfect rapture <strong>of</strong> love to Jesus Christ<br />

which inspires his well-known hymns. Here we are<br />

at <strong>the</strong> secret <strong>of</strong> <strong>the</strong> extraordinary popularity <strong>of</strong> mystical<br />

interpretations <strong>of</strong> <strong>the</strong> <strong>Song</strong> <strong>of</strong> <strong>Solomon</strong>. It has seemed<br />

to many in all ages <strong>of</strong> <strong>the</strong> Christian Church to afford<br />

<strong>the</strong> best expression for <strong>the</strong> deepest spiritual relations<br />

<strong>of</strong> Christ <strong>and</strong> His people. Never<strong>the</strong>less, <strong>the</strong> mystical

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