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You can download this volume here - Electric Scotland

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424 Book of the Old Edinburgh Club<br />

most important paper in the <strong>volume</strong> is Mr. W. B. Blaikie's charming<br />

description of Edinburgh at the time of the occupation of Prince Charles.<br />

It is a vivid picture of the city, its people, and their customs in 1745. The<br />

temptation to stray into the many attractive by-paths, by<br />

which such a<br />

subject is surrounded, has been resisted, but no side of life Edinburgh has<br />

been omitted in <strong>this</strong> entertaining and scholarly contribution to<br />

history.<br />

Other articles in the <strong>volume</strong> include two valuable papers by Mr. W. Moir<br />

Bryce on the * '<br />

Flodden Wall of Edinburgh and the '<br />

Covenanters' Prison<br />

'<br />

in the Inner Grey-Friars' Yard, Edinburgh ;<br />

'The Cannon-Bail House/<br />

by Mr. Bruce J. Home ; another instalment of Mr. John Geddie's paper<br />

on the *<br />

Sculptured Stones of Edinburgh '<br />

and ; an amusing account of<br />

' An Eighteenth Century Edinburgh Betting Club.' The <strong>volume</strong> is well<br />

illustrated.<br />

Local historical clubs have many opportunities of doing useful work,<br />

but we have not seen any such publications which have more successfully<br />

fulfilled the true objects of such clubs, than the first and second <strong>volume</strong>s of<br />

the Old Edinburgh Club.<br />

IRISH NATIONALITY. By ALICE STOPFORD GREEN. Pp. 256. Fcap. 8vo.<br />

Williams & Norgate. 1911. is.<br />

MRS. GREEN'S new <strong>volume</strong> is full of interest. It sketches the<br />

history of<br />

Irish social life, commerce, literature, art, and politics for the last two<br />

thousand it is<br />

years. Necessarily only an outline of the subject, but <strong>here</strong><br />

and t<strong>here</strong> we have brilliant pictures filling<br />

in details.<br />

Writing of Irish art in the first six centuries, Mrs. Green says :<br />

* The<br />

gold and enamel work of the Irish craftsmen has never been surpassed, and<br />

in writing and illumination they went beyond the imperial artists of Constantinople.'<br />

Of their church at the same period, 't<strong>here</strong> was scarcely a<br />

boundary felt between the divine country and the earthly, so entirely was<br />

the spiritual life commingled with the national.'<br />

*<br />

Of their literature, Mrs. Green writes : Probably in the seventh and<br />

eighth centuries no one in Western Europe spoke Greek who was not Irish<br />

or taught by an Irishman.'<br />

' For the first time also Ireland became known<br />

to Englishmen. Fleets of ships bore students and pilgrims, who forsook<br />

their native land for the sake of divine studies. The Irish most willingly<br />

received them all, supplying to them without charge food and books and<br />

teaching, welcoming them in every school from Derry to Lismore/<br />

'Every English missionary from the seventh to the ninth century had<br />

been trained under Irish teachers or had been for years in Ireland,<br />

enveloped by the ardour of their '<br />

fiery enthusiasm and ; later ' the Irish<br />

clergy still remained unequalled in culture, even in Italy. One of them in<br />

868 was the most learned of the Latinists of all Europe.'<br />

Happiness seemed to lie before the land, but all <strong>this</strong> fair prospect was<br />

'<br />

ruined by the later work of the English. We may ask whether in the<br />

history of the world t<strong>here</strong> was cast out of any country such genius,<br />

learning, and industry, as the English flung, as it were, into the sea.'<br />

*The great object of the government was to destroy the whole tradition,

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