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62 George Neilson<br />

FAIRFAX'S TASSO.<br />

The Egyptian Argantet.<br />

For he was stout of courage, strong of<br />

hand,<br />

Bold was his heart, and restless was his<br />

sprite,<br />

Fierce, stern, outrageous, keen as<br />

sharpened brand. ii. 59.<br />

[T<strong>here</strong> is an altercation, in which<br />

Argantes taunts the crusader Tancred<br />

with reluctance to : fight]<br />

[Tancred answers] :<br />

The killer of weak women thee defies.<br />

xix. 5.<br />

[Tancred, in order to settle matters<br />

by single combat, conducts Argantes<br />

through the crusading host to the<br />

appointed place of duel] :<br />

And thus defending 'gainst his friends<br />

his foe<br />

Through thousand angry weapons safe<br />

they go. xix. 7.<br />

[The journey to the place of duel] :<br />

They left the city, and they left behind<br />

Godfredo's camp, and far beyond it<br />

passed,<br />

And came w<strong>here</strong> into creeks and bosoms<br />

blind<br />

A winding hill his corners turned and<br />

cast ;<br />

A valley small and shady dale they find<br />

Amid the mountains steep, so laid and<br />

placed<br />

LADY OF THE LAKE.<br />

Canto V.<br />

Like the Egyptian, Roderick Dhu, as<br />

his name implies, was dark. Mention<br />

is made of his ' sable brow '<br />

(stanza 9).<br />

His 'dark eye' is named in a variant<br />

MS. reading of stanza 14. The<br />

'gloomy, vindictive, arrogant, undaunted'<br />

Roderick, to quote a reviewer's<br />

description approved by Lockhart (note<br />

to stanza 14), is one in character with<br />

Argantes.<br />

In a like altercation with Fitzjames<br />

Roderick holds the latter's ivalour light<br />

Yet shalt thou not escape, O conqueror<br />

' As that of some vain carpet knight.'<br />

strong<br />

Of ladies fair,<br />

that wrong.<br />

sharp death to avenge<br />

xix. 3.<br />

(st. 14.)<br />

He had just told him, too,<br />

*<br />

My clansman's blood demands revenge.*<br />

(st. 14.)<br />

Compare Roderick's corresponding<br />

play on the taunt about the head of a<br />

rebellious clan, etc.<br />

same retort.<br />

(st. 12).<br />

It is the<br />

While not claiming for Tasso or<br />

Fairfax the splendid picture of * Benledi's<br />

living side' one of the most<br />

gorgeous ever achieved by Walter Scott<br />

or any other poet one may be permitted<br />

to say that the thousand angry<br />

weapons, stilled by request of Tancred,<br />

so that he and Argantes alone may try<br />

their quarrel hilt to hilt, have obvious<br />

possibilities of relation to the pageant<br />

of bonnets and spears, lances, axes, and<br />

brands, of Scott's plaided warriors in<br />

stanza 9.<br />

Along a wide and level green (st. 1 1).<br />

. .<br />

The Chief in silence strode before<br />

(st. 12). ..<br />

For <strong>this</strong> is Coilantogle ford.<br />

(st. ii and 12).<br />

Observe that in both duels t<strong>here</strong> is a

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