Journal - Comune di Monteleone di Spoleto

73. Lexicon Iconographicum Mythologiae Classicae, vol. 4 (Zürich and
munich, 1988), p. 69, no. 1 (British museum Gr1860.4-4.1).
74. Krauskopf 1974, pl. 10 (tripod C1).
75. Haynes 1958; Sprenger and Bartoloni 1977, pl. 111; Brendel 1978,
pp. 159ff. and n. 18, fig. 106; Höckmann 1982, p. 125, pl. 37.1;
Cristofani in Cristofani and martelli 1983, p. 302, no. 198b, ill. p. 194.
76. emiliozzi 1991; emiliozzi 1996a, pp. 333 – 34, fig. 1; emiliozzi
1997d. amandry (1962, p. 54, fig. 2) cited the scene on the monteleone
chariot among his comparisons, but because of the old
restoration, which separated the boar from the scene on the front
panel, he believed it was a misunderstood excerpt of the figural
scheme on the delphi revetments. lowenstam (2008, p. 197n32)
disagrees that there is a connection between the boar and the
deer.
77. amandry 1962, pp. 48ff., fig. 1, pls. 6 – 9.
78. For other east Greek works, see ibid., p. 54, pls. 14.2, 15.4.
The four etrurian examples are a bronze sheet from Castel San
mariano (Brown 1960, p. 83, pl. XXiXe; amandry 1962, p. 54n125;
Höck mann 1982, p. 79, pl. 38.2); a bucchero vase in Chiusi
(amandry 1962, p. 54n126; Batignani 1965, p. 144, fig. 1; donati
1968, p. 338, no. 106; nardi 1997, p. 454n29); a brazier from
Cerveteri (nardi 1997, pp. 451ff., no. 2, fig. 3; Pieraccini 2003,
pp. 130 – 31, fig. 82); and a black-figure amphora of the la Tolfa
Group (Gaultier 1987, p. 210n7).
79. amandry 1962, p. 54 and n. 128 (British museum B.102, 23).
80. ibid., pp. 52 – 53 and nn. 117 – 22.
81. ibid., p. 54 (with bibliography in nn. 123 – 24), and see also Cook
1999, p. 80, no. 6.
82. akurgal 1949, pp. 52 – 53, pls. 27a, 29, 33b, 35 (with further references
to Greece and Phrygia); akurgal 1968, pp. 43, 60 – 61,
figs. 24 – 29, pl. 37.
83. For rhodes, see Schiering 1957, pl. 15.1.3, cited by Höckmann
1982, p. 118 and n. 625; for Corinth and areas with ties to Corinth,
see ibid.
84. Brown 1960, pp. 103 – 4 and n. 3.
85. Bonaudo 2004, p. 65. in hydria no. 15 it is maia.
86. The motif appears on the amphora of the amsterdam Painter
(ca. 650 B.C.; martelli Cristofani 1987, p. 4, figs. 7, 10), a pair of
amphorae from Trevignano romano (630 – 600 B.C.; Colonna
1985, p. 245, no. 9.3, ills. p. 247); a tintinnabulum from Bologna
(ca. 600 B.C.; morigi Govi 1971), and a bronze statuette in the
British museum, london (ca. 600 B.C.; Bonfante 1975 and 2003,
pp. 186 – 87, fig. 95).
87. For the isis Tomb at Vulci, see Bonfante 1975 and 2003, pp. 47 – 48,
188 – 89, fig. 99. Bonfante compares this mantle to the one Thetis
wears on the front panel of the chariot and suggests that its form is
less influenced by artistic conventions; in the rendering of the
actual garment, the two front hems would have been applied
separately. For the Vix krater, see Bonfante 1975 and 2003,
pp. 186 – 87, fig. 97; and rolley 2003, pp. 88 – 89, 116 – 17, pls. 5,
106, 107.
88. Krauskopf 1976, p. 323, pl. Xlii.4, and 1988, pp. 341, 353 no. 64.
89. For the columen and mutulus(?) plaques from murlo, see neils
1976, pp. 20ff., nos. 30, 29, pls. 10.3, 10.1; and Winter 2009,
pp. 192, 191, 193, nos. 3.d.9.a, 3.d.9.B, figs. 3.24, 3.25. For the
antefixes, see neils 1976, pp. 7 – 18, groups a – e, and miscellaneous,
pls. 1 – 9; and Winter 2009, pp. 172ff., no. 3.C.2.a, fig. 3.8,
170, fig. 3.3.4. For the antefix from Vulci, see Sgubini moretti
2003, p. 10, fig. 2; Sgubini moretti and ricciardi 2004, no. 1.c.1,
and 2006, p. 103, figs. 10.4, 10.6; and Winter 2009, p. 159,
roof 3.9.
90. Höckmann 1982, pls. 11, 12,1, enclosure 2. For the diverse opinions
on dating, see note 131 below.
91. See Pairault-massa 1993, especially pp. 130 – 31, figs. 11, 12.
92. Phillips 1983, figs. 1 – 31; Winter 2009, pp. 193 – 94, no. 3.d.10,
figs. 3.26 – 3.28, dated 580 – 575 B.C.
93. Bonamici 1997, p. 189.
94. Banti 1966, pp. 372 – 73, no. 3, fig. 1/b, pl. lXXiii.
95. Kardara 1978, p. 68, fig. 6.
96. For the basic literature on the vase, see Beazley 1956, p. 76,
and 1971, pp. 29 – 30; Cristofani 1981a; and lowenstam 2008,
pp. 20 – 27.
97. See rizzo 1983. rizzo attributes too late a date to the monteleone
chariot.
98. emiliozzi 1996b, pp. 25 – 26, fig. 3 (note, though, that here the
draftsman incorrectly included the tail of the lion in the proper left
frieze and because of this error the ram seems to have a long tail).
99. See Stibbe 2000. according to Stibbe (p. 27 and n. 2), this type was
the subject of early experimentation around 600 B.C. before
becoming canonical.
100. Hill 1958, nos. 20, 21, pl. 50, fig. 9, pl. 51, fig. 6; rolley 1982,
pp. 87ff., pls. XXXiX, Xliii, figs. 184, 185, 195 – 97 (from novi Pazar).
101. See note 100 above and Stibbe 2000, pp. 48 – 49, no. 18, fig. 32;
Vasić 2003, pp. 130ff., figs. 89, 90.
102. on exportation, see Vasić 2003, pp. 129ff., and Stibbe 2003,
p. 135. For the finds in laconia dating from the third quarter of the
sixth century B.C., see rolley 1982, p. 36, nos. 1 – 3 (with bibliography);
for their chronology, see also Stibbe 2000, pp. 45 – 46,
nos. 14, 17.
103. For the originality of the laconian group, see rolley 1982, p. 37
and n. 52. Johannowsky (1974, pp. 17 – 20) proposes Samian
mediation in the diffusion of laconian products, and Bellelli
(2006, p. 93) affirms that this proposal is valid.
104. Stibbe 2000, pp. 21ff., nos. 2 – 4, 8, 10, 11, with figures, dating
from 575 – 555 to 555 – 540 B.C. (later examples were omitted
from this list).
105. in the context of the second half of the sixth century B.C., see
lo Porto 1977 – 79 (with earlier bibliography) and Guzzo 1992,
pp. 36, 255 – 56, no. 103. See also note 29 above.
106. Bonamici 1997, p. 190. Höckman (1982, p. 118 with n. 624) maintains
it was made in magna Graecia; Guzzo (1992, pp. 36, 255 –
56, no. 103) suggests manufacture either in the Peloponnese or
locally in metapontum. Because of the ionian features, Furt wängler
(1905, p. 10, and 1913b, pp. 16, 29, pl. 1) had already compared
the helmet to those of the electrum fish-shaped shield emblem
from Vettersfelde and the deer from Kul oba.
107. The comparison, already made in Bonfante 1975, pp. 47 – 48, and
Brendel 1978, p. 151, is repeated in Bonamici 1997, p. 189. Zevi
(1969, p. 48) suggests a rhodian origin or at least roots, and
Bonamici (1997, p. 189) agrees.
108. For kouroi from naukratis, see Höckmann 1982, p. 119 and
n. 632, citing richter 1970a, nos. 28, 58, 82. For vases from
rhodes, see Höckmann 1982, p. 119 and n. 632, citing Higgins
1959, pp. 14ff., nos. 1608 – 12, and also Bonamici 1997, p. 189,
citing ducat 1966, p. 51, pl. Vii.4.
109. ducat 1966, pp. 113 – 14, type a and type B, pls. XV.6, XV.7 (eagle
heads), p. 149, nos. 1, 2, pl. XXii.6 (boar heads), p. 100, ii, type a,
nos. 1, 2, pl. Xiii.7 (recumbent rams).
110. See Bonamici 1997, p. 189, referring to Yalouri 1972 and Brize 1985.
111. Brown (1960, pp. 110 – 12) attributes the sphyrelaton and the
infundibulum to a workshop in inner etruria. Höckmann (1982,
pp. 62 – 64, under nos. 24, 25, sphyrelaton, figs. 43, 44, pl. 34, and
pp. 119 – 20) discusses the similarities and differences between the
heads of the kouroi, the sphyrelata, and the infundibulum and
suggests that the last was a Greek work from Campania (a theory
Canciani 1984 does not accept). neither this worthy work nor any
of the earlier or later literature has a photograph of the second
female face, which is not the same as the first. For Johannowsky
(1983, p. 72) the infundibulum is east Greek (although his
chronology is excessively early). Bellelli (2006, pp. 41ff., under
no. 1, infundibulum, pl. Xii) again takes up an examination of the
pieces (with the exception of the second sphyrelaton) and
The Monteleone Chariot: Notes to Section III 119