Journal - Comune di Monteleone di Spoleto
Journal - Comune di Monteleone di Spoleto
Journal - Comune di Monteleone di Spoleto
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64<br />
6. The head of the eagle at the tip of the pole may have<br />
been secured by an iron band, traces of which are still<br />
attached (see cat. 17). in the absence of proof it was not<br />
reproduced.<br />
7. The piece joining the two bronze elements of the yoke<br />
is purely hypothetical, given that an actual reconstruction<br />
would have been arbitrary even if it had been feasible using<br />
comparable vehicles from more recent periods. 2 The position<br />
of the yoke is also hypothetical: the crossbar would<br />
have been closer to the end of the pole, but the reconstruction<br />
called for a more convenient position with a completely<br />
reversible system of attachment.<br />
Other adjuncts and materials. all the parts of the chariot<br />
originally made of leather—most particularly the covering<br />
of the rails that encased the body of the car and at the same<br />
time served as a backing for the bronze revetments—have<br />
been omitted. all the lashings, straps, and other elements<br />
that connected the in<strong>di</strong>vidual parts of the chariot have been<br />
left out as well. They would have been made of rawhide and<br />
other organic materials such as fibers. Their omission was<br />
based primarily on aesthetics. leaving the backs of the three<br />
bronze panels of the car exposed allows visitors to see both<br />
sides of the splen<strong>di</strong>d repoussé work, and specialists and<br />
conservators can now inspect all surfaces. most of the few<br />
fragments of ivory inlays for which a location on the chariot<br />
seemed identifiable were omitted because the small white<br />
spots would have <strong>di</strong>stracted from the repoussé and tracing<br />
work. The tusks on the boar protome were repositioned<br />
because they are integral parts of the animal’s anatomy, and<br />
the inlays on the rear finials are part of the substructure, not<br />
the bronze embellishment. all the decisions concerning<br />
details of the chariot’s <strong>di</strong>splay were taken in 2004 after<br />
repeated consultation with everyone responsible for, and<br />
participating in, the project, under the guidance of then<br />
museum <strong>di</strong>rector Philippe de montebello.<br />
B. Measurements of the chariot as reconstructed<br />
apart from slight <strong>di</strong>fferences of a few centimeters more or<br />
less due to missing evidence, the measurements of the<br />
reconstructed chariot match those of the original vehicle.<br />
Overall<br />
Total height 50 in. (127 cm)<br />
Total length 120 in. (305 cm)<br />
Total width 56 1⁄4 in. (143 cm), perhaps plus 3⁄4–1 5⁄8 in.<br />
(2–4 cm)<br />
Gauge (<strong>di</strong>stance between the wheels)<br />
36 5⁄8 in. (93 cm)<br />
Body<br />
Height 33 1⁄2 in. (85 cm) (with the strip partly overlapping<br />
the base)<br />
length 35 3⁄8 in. (90 cm)<br />
Width of body on axle 19 3⁄4 in. (50 cm)<br />
Draft pole<br />
Total length 86 3⁄4 in. (220.5 cm), perhaps plus 3⁄8– 3⁄4 in.<br />
(1–2 cm)<br />
<strong>di</strong>stance from end of pole to body of chariot (projection<br />
onto the ground) 86 in. (218.5 cm)