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The Literary Mind.pdf

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MANY SPACES 113<br />

When we recognize what looks like a simple event of force, we must blend<br />

together very abstract image schemas of force dynamics with parts of the specific<br />

perception. Blending abstract image schemas together is a basic conceptual operation;<br />

blending abstract image schemas with specific perceptual experience is a<br />

basic conceptual operation. When we see a car go through an intersection, for<br />

example, we must blend very many things, including the image schema of path,<br />

the perception corresponding to the car's movement, the image schema of container,<br />

and the perception corresponding to the bounded area of the intersection.<br />

Temporality seems to be as dependent upon blending as is spatiality. Even<br />

a simple mental event like looking at a street and remembering the red car that<br />

went down it yesterday depends upon an impossible blend: today's perceptual<br />

experience of the street and recall of yesterday's perceptual experience of the street.<br />

This impossible blending of realities that belong to different temporal spaces is<br />

a routine part of understanding. Slightly highlighted, we can notice the impossibility<br />

and the blending, as when we are asked to blend temporal spaces to produce<br />

the "race" between Great America II and Northern Light.<br />

<strong>The</strong>re is one transcendent story of the mind that has appeared many times in<br />

many avatars. In its essential lines, it claims that there are certain basic, sober,<br />

and literal things the mind does; that imaginative and literary acts are parasitic,<br />

secondary, peripheral, exotic, or deviant; and that when neuroscience gets its act<br />

together, we will come to understand that the brain does things pretty much in<br />

the ways we always expected. On this logic, since imaginative and literary acts<br />

are peripheral and exotic, they can safely be ignored while, as serious scientists,<br />

we investigate the basics.<br />

This story, which is itself just an imaginative story, has been the pretext for<br />

offering indefinitely many "first pass" scientific models of some of our supposedly<br />

basic mental operations. <strong>The</strong>se models ignore what appear to be more<br />

sophisticated and exotic mental events, like blending, on the claim—usually taken<br />

for granted—that first we must explain a few basic operations, and then we can<br />

work on explaining the more imaginative operations that are parasitic upon the<br />

basic mind.<br />

It is possible that this story is just wrong at its core. <strong>The</strong> brain does not seem<br />

to work at all in the ways we expected it to, based on our notion of stable and<br />

unitary concepts. On the contrary, our notion of concepts as stable and unitary<br />

seems to be a false guide to neurobiology. Blending may seem exotic to us, but<br />

in fact it may have a fundamental neurobiological analogue. It should not be<br />

surprising if blending turns out to be basic, not exotic, in the everyday mind.

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