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The Literary Mind.pdf

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24 THE LITERARY MIND<br />

experiential selection and reentry during encounters with a great variety of things<br />

that gradually came to be categorized as containers exactly because we take them<br />

to share this dynamic interactional image schema. <strong>The</strong> image schema itself needs<br />

no translation: it is meaningful, when activated, as corresponding to this category.<br />

It would be a mistake to overwork or overinterpret these beginning results.<br />

It is not clear how to connect the evidence for image schemas in the study of the<br />

mind to the evidence for image schemas in the study of the brain. Perhaps the<br />

neurobiological analogue of an image schema is not one neuronal group pattern<br />

but rather the complex interaction of several neuronal group patterns in different<br />

sites, all coordinated. <strong>The</strong> best evidence to date of the specific nature of image<br />

schemas still comes from the study of language.<br />

IMAGE SCHEMAS IN BASIC-LEVEL CATEGORIES. Outside the neurosciences,<br />

psychological studies are beginning to provide evidence for the role of image<br />

schemas in categorization and cognition. Psychologists Eleanor Rosch and<br />

Carolyn Mervis and a range of associates have made insightful discoveries in the<br />

last fifteen years concerning the conceptual categories of concrete objects. Rosch<br />

and her colleagues showed that there is one level of abstraction around which<br />

most information is organized. <strong>The</strong>y call it the "basic" level—the level of concepts<br />

like dog, table, car, tree, house, bicycle, spoon, and giraffe. <strong>The</strong> basic level,<br />

essentially, is the level at which we partition our environments into objects with<br />

which we interact in small spatial stories: chair, door, knife, ball, rock. Rosch presents<br />

evidence that the basic level is the highest level at which category members<br />

share overall perceived shapes and the highest level at which members call for<br />

similar interactional motor patterns. Since these overall shapes and these interactional<br />

patterns are image schemas, Rosch's work provides evidence for the role<br />

of image schemas in structuring perceptual and conceptual categories. Although<br />

the tradition of research on "basic-level" categories is controversial, none of the<br />

controversy detracts from this essential point.<br />

IMAGE SCHEMAS IN DEVELOPMENTAL PSYCHOLOGY. In a 1992 article in<br />

Psychological Review called "How to Build a Baby: II. Conceptual Primitives,"<br />

Jean Mandler presents evidence for image schemas from clinical experiments in<br />

developmental psychology. She claims that infants develop concepts of animacy<br />

and agency on the basis of image schemas. <strong>The</strong> image schemas she proposes are<br />

closely equivalent to those we have considered above.<br />

Mandler attempts to explain how the developing infant might go from forming<br />

discriminable perceptual categories to using them for thought. She proposes<br />

that certain kinds of perceptual information are receded into forms that represent<br />

meanings. This receding produces a set of image schemas that serve as con-

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