The Literary Mind.pdf

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NOTES 173 page 67, "As we went to press": "'Great America II," Latitude 38 190 (April 1993): 100. page 68: "It is even possible, as Seana Coulson has shown": Coulson, "Analogic and Metaphoric Mapping," pp. 2-12. page 72, "A Buddhist monk": A version of this riddle appears in Arthur Koestler, The Act of Creation (New York: Macmillan, 1964), pp. 183-89. page 74, "Wayne Booth, in The Rhetoric of Fiction": 2d ed. (Chicago: University of Chicago Press, 1983), especially pp. 3-20 and 207-9. page 74, "in general we keep the space of what is narrated": There are in fact special cases of highly imaginative actual intrusion, as when the narrator magically enters the narrated story to interact as narrator with the characters. page 75, "Before I introduce my Readers": Booth, The Rhetoric of Fiction, pp. 207-8. page 79, "Lakoff and I originally noticed a constraint on personification": Lakoff and Turner, More than Cool Reason, p. 79. page 81, "the plants at the end of their life cycle are harvested": Lakoff and Turner, More than Cool Reason, p. 75. page 85, "Tom Stoppard, Indian Ink": I am grateful to Robert Keohane for this example. page 87, "George Lakoff and I have given one argument": Lakoff and Turner, More than Cool Reason, pp. 162—66 ("Generic Is Specific"). page 91, "When one absorbs": Proust, Remembrance of Things Past, vol. 3, p. 184. French original: Proust, A la recherche du temps perdu, vol. 3, p. 691. page 92, "For we talk of 'Death' for convenience": Proust, Remembrance of Things Past, vol. 3, pp. 197-98. French original: Proust, A la recherche du temps perdu, vol. 3, pp. 703-4. page 93, "NIH has become a bit of the Beirut": " NIH Chief Announces Plans to Resign," Los Angeles Times, 27 February 1993, A18. page 95, "artificial life": See John Markoff, "Beyond Artificial Intelligence, a Search for Artificial Life," The New York Times, 25 February 1990, Week in Review section, 5. Gilles Fauconnier alerted me to this article. page 95, "'artificial life' will not belong to the category 'life'": A letter to the editor in U. S. News and World Report complains that only insane people could see category connection as arising out of the analogy between computer simulations and the evolution of living creatures. "People who begin to believe that electronic images, portrayed on a computer screen, are the same as living creatures need help." 31 May 1993, BC-20. page 98, "Cold War without End": The New York Times Magazine, 22 August 1993, 28-30, 45; illustration on 28. page 99, "This inference can arise in the target space": Actually, this inference
174 NOTES arises in the target as understood through a different conceptual projection according to which the termination of something that is not a physical object—in this case, political control—is understood metaphorically as a physical object that disappears. page 100 "An unexpected surge in wholesale prices": Sylvia Nasar, "Prices at Wholesale Surge 0.6%, Fanning Worry about Inflation," The New York Times, 13 May 1993, Al. page 105, "In this way he acquired a vast hoard": Mark Twain, Life on the Mississippi (New York: Penguin, 1984), p. 393. page 105, "technological bake sales": "To keep research afloat, these institutions have had to pump in big sums of their own money. And they are raising it by holding technological bake sales." Udayan Gupta, "Hungry for Funds, Universities Embrace Technology Transfer," The Wall Street Journal, 1 July 1994, 1. page 110, "at the most basic levels of perception, . .. blending is fundamental": For an introduction, see Barry E. Stein and M. Alex Meredith, The Merging of the Senses (Cambridge: MIT Press, 1993). page 110, "Objects and many of their properties are perceived as having a unitary appearance": Edelman, The Remembered Present, p. 43. page 110, "This is known in neuroscience as the 'binding problem'": See Antonio R. Damasio, "The Brain Binds Entities and Events by Multiregional Activation from Convergence Zones," Neural Computation (1989): 123- 32. For a popular journalistic sketch of the binding problem and of a proposal by Rodolfo Llinas to solve it, see Sandra Blakeslee, "How the Brain Might Work," The New York Times, 21 March 1995, Science section, B5 and B7. page 111, Antonio Damasio and convergence: Antonio R. Damasio, "Time- Locked Multiregional Retroactivation: A Systems-Level Proposal for the Neural Substrates of Recall and Recognition," Cognition 33 (1989): 25-62. See also Antonio R. Damasio and Hanna Damasio, "Cortical Systems for Retrieval of Concrete Knowledge: The Convergence Zone Framework," in Large-Scale Neuronal Theories of the Brain, ed. Cristof Koch and Joel L. Davis (Cambridge: MIT Press, 1994), pp. 62-74; and Antonio R. Damasio, Descartes' Error (New York: G. P. Putnam, 1994). page 111, "involves parallel sampling": Edelman, The Remembered Present, p. 65. page 111, "acts to coordinate inputs and resolve conflicts": Edelman, The Remembered Present, p. 72. page 112, "include functional correlations important to concept formation": Edelman, The Remembered Present, p. 70. page 116, "O Lord": Augustine, Confessions, trans. R. S. Pine-Coffin (Harmondsworth, Eng.: Penguin, 1961), book 1, section 13, p. 263.
Page 2 and 3:
THE LITERARY MIND
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THE LITERARY MIND MARK TURNER NEW Y
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PREFACE I F YOU ARE BROWSING this p
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ACKNOWLEDGMENTS T HE JOHN SIMON GUG
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CONTENTS 1 Bedtime with Shahrazad 3
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THE LITERARY MIND
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1 BEDTIME WITH SHAHRAZAD T HERE WAS
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BEDTIME WITH SHAHRAZAD 5 future, of
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BEDTIME WITH SHAHRAZAD and projecti
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BEDTIME WITH SHAHRAZAD other fictio
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BEDTIME WITH SHAHRAZAD 11 daughter
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HUMAN MEANING 13 products of vision
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HUMAN MEANING 15 to the category pe
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HUMAN MEANING 17 out and picking so
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HUMAN MEANING 19 moves the object t
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HUMAN MEANING 21 movement when we r
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HUMAN MEANING 23 ries of connection
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HUMAN MEANING 25 ceptual primitives
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BODY ACTION 27 EVENTS ARE ACTIONS g
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BODY ACTION 29 In addition to "even
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BODY ACTION 31 so as to find such a
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BODY ACTION 33 different action-sto
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BODY ACTION 35 that change. We can
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BODY ACTION 37 cal. Usually, we con
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FIGURED TALES 39 projected onto the
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FIGURED TALES 41 ACTORS ARE MANIPUL
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FIGURED TALES 43 person, the hearer
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FIGURED TALES 45 that the eight sta
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FIGURED TALES 47 Stories of our int
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FIGURED TALES 49 hear / Time's wing
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FIGURED TALES 51 the nonspatial sto
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FIGURED TALES 53 led to another," "
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FIGURED TALES 55 literary thought b
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W E 5 CREATIVE BLENDS ... nor did A
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CREATIVE BLENDS 59 reinforced by th
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CREATIVE BLENDS 61 BLENDED SPACES I
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CREATIVE BLENDS 63 kind of badness.
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CREATIVE BLENDS 65 John is becoming
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CREATIVE BLENDS 67 from the target;
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CREATIVE BLENDS 69 inference of iro
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CREATIVE BLENDS 71 "barely maintain
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CREATIVE BLENDS 73 tral respect. Th
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CREATIVE BLENDS 75 their towns, and
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CREATIVE BLENDS 77 harvest. We can
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CREATIVE BLENDS 79 ing and harvest,
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CREATIVE BLENDS 81 the actor who ca
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CREATIVE BLENDS 83 and go, or shift
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6 MANY SPACES Nirad Das (an Indian
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MANY SPACES 87 manipulating the inp
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MANY SPACES 89 applied to many spec
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MANY SPACES 91 apply to any target
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MANY SPACES 93 of President Bill Cl
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MANY SPACES 95 However, a second po
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MANY SPACES 97 a tent to be staked
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MANY SPACES 99 jection of stories o
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MANY SPACES 101 die; and he shall r
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MANY SPACES 103 The two Kings marve
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MANY SPACES 105 result that x in a
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MANY SPACES 107 Let us look at a ca
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MANY SPACES 109 Invariance is a glo
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MANY SPACES 111 example, given that
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MANY SPACES 113 When we recognize w
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MANY SPACES 115 cists interested in
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SINGLE LIVES 117 Our sensory appara
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SINGLE LIVES 119 We saw above that
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SINGLE LIVES 121 dreamer experienci
Page 134 and 135: SINGLE LIVES 123 as something extra
Page 136 and 137: SINGLE LIVES 125 from a belief, "gr
Page 138 and 139: SINGLE LIVES 127 beg you to cease h
Page 140 and 141: SINGLE LIVES 129 without saying a w
Page 142 and 143: SINGLE LIVES 131 to much anyway, bu
Page 144 and 145: SINGLE LIVES 133 psychological view
Page 146 and 147: SINGLE LIVES 135 "Which story was i
Page 148 and 149: SINGLE LIVES 137 it to project that
Page 150 and 151: SINGLE LIVES 139 character. In the
Page 152 and 153: LANGUAGE 141 Pinker, and Paul Bloom
Page 154 and 155: LANGUAGE 143 "John pushes the ball
Page 156 and 157: LANGUAGE 145 The abstract story, in
Page 158 and 159: LANGUAGE 147 structural property of
Page 160 and 161: LANGUAGE 149 nia, and although the
Page 162 and 163: LANGUAGE 151 Which of these things
Page 164 and 165: LANGUAGE 153 explanations. For exam
Page 166 and 167: LANGUAGE 155 The projection of narr
Page 168 and 169: LANGUAGE 157 tions like Noun Phrase
Page 170 and 171: LANGUAGE 159 The cast of "character
Page 172 and 173: LANGUAGE 161 In its most simplistic
Page 174 and 175: LANGUAGE 163 and Paul Bloom have ar
Page 176 and 177: LANGUAGE 165 Chomsky's argument is
Page 178 and 179: LANGUAGE 167 to members of that com
Page 180 and 181: NOTES page 3, "There was once a wea
Page 182 and 183: NOTES 171 page 33, "I feel a hand":
Page 186 and 187: NOTES 175 page 120, focus and viewp
Page 188 and 189: NOTES 177 page 161, "Indeed, althou
Page 190 and 191: INTRODUCTION TO IMAGE SCHEMAS FURTH
Page 192 and 193: FURTHER READING ON THE IMAGE SCHEMA
Page 194 and 195: A la recherche du temps perdu, 45,
Page 196 and 197: Gradient of spaces and projections,
Page 198: Talmy, Leonard, 29, 47-48, 161, 179
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