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The Literary Mind.pdf

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CREATIVE BLENDS 61<br />

BLENDED SPACES<br />

In the tale of the ox and the donkey, the specific agent in the blended space who<br />

develops the cunning plan has four legs and enormous ears, eats barley, sleeps<br />

on well-sifted straw, and talks. We are not to project the specific attributes four<br />

legs, enormous ears, eats well-winnowed barley, and sleeps on sifted straw onto<br />

Shahrazad in the target space. Talks is projected onto Shahrazad in the target<br />

space, or rather, talks is returned to the target whence it came.<br />

One of the great cognitive advantages of a blended space is its freedom<br />

to deal in all the vivid specifics—ploughing, straw, barns, planning, talking,<br />

deceiving—of both its input spaces. Although the blended space will conform<br />

to its own logic, it is free of various constraints of possibility that restrict the input<br />

spaces. By means of these specifics from both input spaces, the blended space<br />

can powerfully activate both spaces and keep them easily active while we do cognitive<br />

work over them to construct meaning. Upon that circus of lively information,<br />

the mind can dwell and work to develop a projection.<br />

Let us consider a literary example, Dante's celebrated portrayal of Bertran<br />

de Born in the Inferno. While living, Bertran had instigated strife between the<br />

king of England and the king's son and heir, tearing father and son apart. When<br />

seen in hell, Bertran consists, spectacularly, of two parts: a headless body and its<br />

separate head. <strong>The</strong> body carries the head in its hand, lifting the head manually<br />

to talk to Dante on his journey through hell. Bertran cites his punishment as the<br />

appropriate analogue of his sin:<br />

Because I parted people so joined,<br />

I carry my brain, alas, separated<br />

from its root, which is in this trunk.<br />

Thus is to be seen in me the retribution.<br />

Perch'io parti' cosi giunte persone,<br />

partito porto il meo cerebro, lasso!<br />

dal suo principio ch'e in questo toncone.<br />

Cosi s'osserva in me lo contrapasso.<br />

This is an impossible blending, in which a talking human being has an<br />

unnaturally divided body. <strong>The</strong> blend has many parts. First, there is a conventional<br />

metaphoric understanding: Dividing people socially is understood metaphorically<br />

as dividing a joined physical object. This metaphoric projection is not<br />

at all novel. We can say conventionally that a home wrecker has "come between"

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