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The Literary Mind.pdf

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156 THE LITERARY MIND<br />

<strong>The</strong> view of language as arising through parable would allow for diversity of<br />

languages and grammars. Details of narrative structure vary from culture to culture<br />

and even person to person: what is universal is not all the specific narrative<br />

structures but rather stability of basic abstract stories. All cultures have stable<br />

repertoires of basic abstract stories. Some of them vary culture to culture. An<br />

accusative language (which gives Subject and Agent one grammatical coding and<br />

Patient a distinguished grammatical coding) and an ergative language (which<br />

gives intransitive Subject and Patient one grammatical coding and transitive<br />

Subject and Agent a distinguished grammatical coding) may seem to be informed<br />

by different kinds of stories, but each will seem to have a stable repertoire of basic<br />

abstract stories.<br />

Projection is widely variable in the actual structures it projects and the ways<br />

in which it projects them. Even when two different languages project the same<br />

basic abstract story, and thereby give rise to similar grammatical constructions,<br />

the details will often be strikingly different. In English, "John loves Mary" and<br />

"Mary loves John" have different meanings, but in Latin "Johannes amat Mariam"<br />

and "Mariam amat lohannes" mean the same thing. In both languages, narrative<br />

relations project to create grammatical structure, but in English the result is<br />

a grammatical structure of linear word order, while in Latin it is a grammatical<br />

structure of case endings on nouns. Similarly, English has one set of constructions<br />

for representing causal narrative chains ("I make Paul eat") but French has<br />

a different and highly intricate set of double-verb causative constructions ("Je<br />

fait manger Paul") that English lacks.<br />

Grammar arises as a dynamic system of projections of story structures to<br />

create a dynamic system of grammatical constructions that then can be adapted<br />

dynamically in many ways. It is likely not only that different speakers in the same<br />

linguistic community will have somewhat different grammars but even that the<br />

same person will have somewhat different grammars at different times. What<br />

matters for language as a communicative device is not that the members of a linguistic<br />

community all have the identical dynamic system of grammar but rather<br />

that the external products of grammar are perceived as fulfilling the relevant<br />

communicative needs in local situations. When they are not so perceived, then<br />

objections, corrections, and negotiations can take place to tune the systems of<br />

the conversants. On the parabolic view, grammar is a kind of dynamic repertoire,<br />

in much the same way that perceptual and conceptual categories are repertoires.<br />

<strong>The</strong> repertoires need not be identical universally or even in a community,<br />

but they do need to be stable and effective.<br />

<strong>The</strong> level at which the projection takes place is the level of constructions<br />

above individual lexical items. A particular word like "dog" is not the projection<br />

of the concept dog. Rather, grammatical constructions and systems of construe-

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