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The Literary Mind.pdf

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CREATIVE BLENDS 65<br />

John is becoming something other than king, increasingly represented as having<br />

never been king. He is a king who is not a king. <strong>The</strong> activities and economies<br />

King John normally commands are rapidly escaping him. He tries to command<br />

what he no longer commands. He may appear to be in command, events may<br />

happen that seem to conform to his command, but his command is losing status.<br />

He is not naive—he realizes that his command is a conundrum. This is a<br />

subtle reading. To arrive at this reading requires a blended space, in which the<br />

messenger, the prime example of something absolutely under the king's command,<br />

is also nature, the prime example of something that is absolutely above<br />

the king's command. This is a combination of contraries impossible outside the<br />

blend. King John is commanding what he can command, but what he can command<br />

turns out to be simultaneously what he cannot command. <strong>The</strong> tension and<br />

instability in King John's command is presented symbolically. It is a powerful<br />

and significant paradox.<br />

<strong>The</strong> blend necessary for this reading combines, from the source, the inevitable<br />

release of weather that is subject to no one's control, and, from the target,<br />

King John's intentional control over the intentional messenger. <strong>The</strong> manifest<br />

tension between the lack of control and the exercise of control provides the central<br />

inference of the subtle reading. But the tension is not in the source: in the<br />

source space that includes nature, human command plays no role at all, and King<br />

John is not mad like Lear and would not dream of trying to command the weather.<br />

<strong>The</strong> tension is not present in the target, either: King John can indeed command<br />

messengers absolutely to deliver their bad news. <strong>The</strong> tension cannot be imported<br />

to the target directly from the source because the target would defeat it: the<br />

messenger is absolutely and rigidly under the command of King John. Indeed,<br />

the messenger's complete subordination to the king in the target is reinforced by<br />

this very scene in which John commands and the messenger performs accordingly.<br />

We do not construe this passage as saying of the target that just as King<br />

John cannot command nature, so he cannot command the messenger. That is<br />

clearly false: He can and does command the messenger.<br />

It is only in the blended space that King John is revealed in a situation of<br />

conflict: He both commands and lacks command at the same moment and in<br />

the identical respect. In the blended space, he is giving commands that are simultaneously<br />

appropriate and inappropriate, simultaneously routine and absurd. This<br />

is a fundamentally unstable position. It is the basis of the sophisticated reading<br />

that King John's command is profoundly troubled and conflicted.<br />

<strong>The</strong> tension of the blended space is reinforced by a corollary blending of<br />

impossibilities. King John is above the messenger metaphorically, in the sense<br />

of having power over him. He is probably above him spatially: <strong>The</strong> messenger<br />

may be kneeling. By contrast, any human being on earth is below a raining sky

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