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Notre Dame de Paris - Bartleby.com

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It was, moreover, noticed that, for some time past, his horror of gipsy-women and all Zingari in general<br />

had remarkably increased. He had solicited from the Bishop an edict expressly forbidding gipsies to<br />

dance or play the tambourine within the Parvis of the Cathedral; and simultaneously he was rummaging<br />

among the musty archives of the Holy Office, in or<strong>de</strong>r to collect all the cases of necromancers and<br />

sorcerers con<strong>de</strong>mned to the flames or the halter for <strong>com</strong>plicity in witchcraft with sows, he, or she-goats.<br />

VI. Unpopularity<br />

THE ARCHDEACON and the bell-ringer found, as we have said before, but little favour with the<br />

people, great or small, in the purlieus of the Cathedral. If Clau<strong>de</strong> and Quasimodo went abroad, as<br />

occasionally happened, and they were seen in <strong>com</strong>pany—the servant following his master—traversing<br />

the chilly, narrow, and gloomy streets in the vicinity of <strong>Notre</strong> <strong>Dame</strong>, many an abusive word, many a<br />

mocking laugh or opprobrious gibe would harass them on their passage unless Clau<strong>de</strong> Frollo—though<br />

this was rare—walked with head erect and haughty bearing, offering a stern and well-nigh imperial front<br />

to the startled gaze of his assailants.<br />

The couple shared in the neighbourhood the fate of those poets of whom Régnier says:<br />

“Toutes sortes <strong>de</strong> gens vont après les poètes,<br />

Comme après les hiboux vont criant les fauvettes.” 53<br />

Now some ill-conditioned monkey would risk his skin and bones for the ineffable pleasure of sticking a<br />

pin in Quasimodo’s hump, or some pretty wench, with more freedom and impu<strong>de</strong>nce than was seemly,<br />

would brush the priest’s black robe, thrusting her face into his, while she sang the naughty song<br />

beginning:<br />

“Niche, niche, le diable est pris!” 54<br />

Anon, a group of squalid old women, crouching in the sha<strong>de</strong> on the steps of a porch, would abuse the<br />

Arch<strong>de</strong>acon and the bell-ringer roundly as they passed, or hurl after them with curses the flattering<br />

remark: “There goes one whose soul is like the other one’s body!” Or, another time, it would be a band<br />

of scholars playing at marbles or hopscotch who would rise in a body and salute them in classical<br />

manner, with some Latin greeting such as “Eia! Eia! Claudius cum claudo!” 55<br />

But, as a rule, these amenities passed unhee<strong>de</strong>d by either the priest or the bell-ringer. Quasimodo was<br />

too <strong>de</strong>af, and Clau<strong>de</strong> too immersed in thought to hear them.<br />

Book V<br />

I. The Abbot of St.-Martin’s<br />

THE FAME of Dom Clau<strong>de</strong> Frollo had spread abroad. To it, just about the time of his refusal to<br />

encounter the Lady of Beaujeu, he owed a visit which remained long in his memory.<br />

It happened one evening. Clau<strong>de</strong> had just retired after the evening office to his canonical cell in the<br />

cloister of <strong>Notre</strong> <strong>Dame</strong>. Beyond a few glass phials pushed away into a corner and containing some<br />

pow<strong>de</strong>r which looked suspiciously like an explosive, the cell had nothing noteworthy or mysterious

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