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Notre Dame de Paris - Bartleby.com

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la Pucelle—the Maid of Orleans—in the same boat with him. The old father died when Paquette was<br />

quite little, so she had only her mother, who was sister to M. Pradon, a master-brasier and tinsmith in<br />

<strong>Paris</strong>, Rue Parin-Garlin, and who died last year—so you see, she was of good family. The mother was a<br />

simple, easy-going creature, unfortunately, and never taught her anything really useful—just a little<br />

needlework and toy-making, which did not prevent her growing tall and strong, and remaining very poor.<br />

They lived together at Reims, by the river-si<strong>de</strong>, in the Rue <strong>de</strong> Folle-Peine—mark that!—for I believe that<br />

is what brought trouble to Paquette. Well, in ’61—the year of the Coronation of our King Louis XI,<br />

whom God preserve!—Paquette was so gay and so fair that she was known far and wi<strong>de</strong> as ‘La<br />

Chantefleurie’—poor girl! She had pretty teeth, and she was fond of laughing, to show them. Now, a girl<br />

who is overfond of laughing is well on the way to tears; pretty teeth are the ruin of pretty eyes—and thus<br />

it befell Chantefleurie. She and her mother had a hard struggle to gain a living; they had sunk very low<br />

since the father’s <strong>de</strong>ath—their needlework brought them in barely six <strong>de</strong>niers a week, which is not quite<br />

two liards. Time was when Guybertaut had got twelve sols parisis at a coronation for a single song! One<br />

winter—it was that same year of ’61—the two women had not a log or a fagot, and it was very cold, and<br />

this gave Chantefleurie such a beautiful colour in her cheeks that the men all looked after her and she<br />

was ruined.—Eustache! just led me see you take a bite out of that cake!—We saw in a moment that she<br />

was ruined when one Sunday she came to church with a gold cross on her neck. At fourteen—what do<br />

you say to that? The first was the young Vi<strong>com</strong>te <strong>de</strong> Cormontreuil, whose castle is about three-quarters<br />

of a mile from Reims; then it was Messire Henri <strong>de</strong> Triancourt, the King’s outri<strong>de</strong>r; then, <strong>com</strong>ing down<br />

the scale, Chiart <strong>de</strong> Beaulion, a man-at-arms! then, still lower, Guery Aubergeon, king’s carver; then<br />

Macè <strong>de</strong> Frèpus, barber to Monsieur the Dauphin; then Thèvenin le Moine, one of the royal cooks; then,<br />

still going down, from the young to the old, from high to low birth, she fell to Guillaume Racine, viol<br />

player, and to Thierry <strong>de</strong> Mer, lamp-maker. After that, poor Chantefleurie, she became all things to all<br />

men and had <strong>com</strong>e to her last sou. What think you, damoiselle, at the coronation, in that same year ’61, it<br />

was she who ma<strong>de</strong> the bed for the chief of the bawdies!—in that same year!” Mahiette sighed and wiped<br />

away a tear.<br />

“But I see nothing so very extraordinary in this story,” said Gervaise, “and there is no word either of<br />

Egyptians or children.”<br />

“Patience,” returned Mahiette; “as for the child, I am just <strong>com</strong>ing to that. In ’66, sixteen years ago this<br />

month, on Saint-Paul’s day, Paquette was brought to bed of a little girl. Poor creature, she was<br />

overjoyed—she had long craved to have a child. Her mother, foolish woman, who had never done<br />

anything but close her eyes to what was going on, her mother was <strong>de</strong>ad. Paquette had no one in the world<br />

to love or to love her. For the five years since she had fallen, poor Paquette had been a miserable<br />

creature. She was alone, all alone in the world, pointed at, shouted at through the streets, beaten by the<br />

sergeants, and jeered at by little ragged boys. Besi<strong>de</strong>s, she was already twenty, and twenty means old age<br />

for a courtesan. Her frailty now began to bring her in no more than did her needlework formerly; for<br />

every line in her face she lost a crown in her pocket. Winter came hard to her again, wood was growing<br />

scarce in her fire-place and bread in her cupboard. She could not work, because, by giving way to<br />

pleasure she had given way to idleness, and she felt hardships the more because by giving way to<br />

idleness she had given way to pleasure. At least, that is how Monsieur the Curé of Saint-Rémy explains<br />

why those sort of women feel cold and hunger more than other poor females do when they get old.”<br />

“Yes,” observed Gervaise, “but about these gipsies?”<br />

“Wait a moment, Gervaise,” said Oudar<strong>de</strong>, who was of a less impatient temperament; “what should we

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