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Notre Dame de Paris - Bartleby.com

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efore him since the beginning of this chapter) accordingly slowly approached the balcony.<br />

“Look,” said Fleur-<strong>de</strong>-Lys, ten<strong>de</strong>rly laying her hand on his arm, “look at the girl dancing there in the<br />

ring. Is that your gipsy?”<br />

Phœbus looked. “Yes,” said he, “I know her by her goat.”<br />

“Oh, what a pretty little goat!” cried Amelotte, clapping her hands <strong>de</strong>lightedly.<br />

“Are its horns real gold?” asked Berangère.<br />

Without rising from her seat, <strong>Dame</strong> Aloïse inquired: “Is that one of the band of Bohemians who arrived<br />

last year by the Porte Gibard?”<br />

“Lady mother,” said Fleur-<strong>de</strong>-Lys gently, “that gate is now called Porte d’Enfer.”<br />

Mlle. <strong>de</strong> Gon<strong>de</strong>laurier was well aware how much the captain was shocked by her mother’s antiquated<br />

mo<strong>de</strong>s of expression. In<strong>de</strong>ed, he muttered with a disdainful laugh: “Porte Gibard! Porte Gibard! That is<br />

to give passage to King Charles VI, no doubt!”<br />

“Godmother!” exclaimed Berangère, whose quick and restless eyes were sud<strong>de</strong>nly attracted to the top<br />

of the towers of <strong>Notre</strong> <strong>Dame</strong>. “Who is that man in black up there?”<br />

All the girls looked up. A man was leaning with his elbows on the topmost parapet of the northern<br />

tower which looked towards the Grève. It was a priest—as could be seen by his dress—and they could<br />

clearly distinguish his face, which was resting on his two hands. He stood as motionless as a statue, and<br />

in his gaze, fixed steadily on the Place beneath him, there was something of the immobility of the kite<br />

looking down upon the sparrow’s nest it has just discovered.<br />

“It is Monsieur the Arch<strong>de</strong>acon of Josas,” said Fleur-<strong>de</strong>-Lys.<br />

“You must have good sight to recognise him at this distance,” observed La Gaillefontaine.<br />

“How he glares at the little dancer!” said Diane <strong>de</strong> Christeuil.<br />

“Then let the Egyptian beware,” said Fleur-<strong>de</strong>-Lys, “for he loves not Egypt.”<br />

“’Tis a pity he should look at her like that,” ad<strong>de</strong>d Amelotte <strong>de</strong> Montmichel, “for she dances most<br />

bewitchingly.”<br />

“Cousin Phœ,” said Fleur-<strong>de</strong>-Lys impulsively, “since you know this gipsy girl, will you not beckon to<br />

her to <strong>com</strong>e up here—it will divert us.”<br />

“Oh, yes!” cried the other girls, clapping their hands gleefully.<br />

“What a madcap i<strong>de</strong>a!” replied Phœbus. “Doubtless she has forgotten me, and I do not even know her<br />

name. However, as you wish it, mesdamoiselles, I will see what I can do.” And leaning over the balcony<br />

he called out, “Little one!”<br />

The dancing girl was not playing her tambourine at that moment. She turned her head towards the spot<br />

from which the voice came, her brilliant eyes caught sight of Phœbus, and she sud<strong>de</strong>nly stood still.<br />

“Little one,” repeated the captain, and he motioned to her to <strong>com</strong>e up.

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