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Notre Dame de Paris - Bartleby.com

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VI. Three Various Hearts of Men<br />

Book IX<br />

I. Delirium<br />

II. Humpbacked, One-Eyed, Lame<br />

III. Deaf<br />

IV. Earthenware and Crystal<br />

V. The Key of the Porte Rouge<br />

VI. Sequel to the Key of the Porte Rouge<br />

Book X<br />

I. Gringoire Has Several Bright I<strong>de</strong>as in Succession in the Rue <strong>de</strong>s Bernardins<br />

II. Turn Vagabond<br />

III. Vive la Joie!<br />

IV. An Awkward Friend<br />

V. The Closet Where Monsieur Louis of France Recites His Orisons<br />

VI. The Pass-Word<br />

VII. Châteaupers to the Rescue<br />

Book XI<br />

I. The Little Shoe<br />

II. La Creatura Bella Bianco Vestita—Dante<br />

III. The Marriage of Phœbus<br />

IV. The Marriage of Quasimodo<br />

Appendix<br />

Biographical Note<br />

VICTOR MARIE HUGO, the most dominating figure in French literature in the nineteenth century, was<br />

born at Besançon on February 26, 1802. His father was a general un<strong>de</strong>r Napoleon, and the <strong>de</strong>mands of<br />

the military life kept the family wan<strong>de</strong>ring through the poet’s childhood. After three years in Corsica,<br />

two in <strong>Paris</strong>, and some time in southern Italy, Hugo began his school days in Spain, whence he was<br />

driven with his parents by Wellington in 1812. His education, never very thorough, was continued at<br />

<strong>Paris</strong>; and by the age of seventeen he had entered on the profession of letters. His first publication of note<br />

was a volume of “O<strong>de</strong>s” issued when he was twenty, and written un<strong>de</strong>r the influence of the classical<br />

school; and it was followed a year later by his first novel “Han d’Islan<strong>de</strong>,” the story of a Norse robber.<br />

The romantic movement was now well un<strong>de</strong>r way in France, and Hugo stepped into the lea<strong>de</strong>rship of it<br />

by his second volume of “O<strong>de</strong>s” (1826) and by his drama of “Cromwell” (1827). The preface to this play<br />

formed the manifesto of French romanticism. The publication of his poems on eastern themes,<br />

“Orientales,” and the triumphant production of his play “Hernani” in 1829 confirmed him in the first<br />

place in the new school. The years from 1831 to 1841 were filled with writings which continually raised<br />

his reputation, until he reached the French Aca<strong>de</strong>my at the age of thirty-nine. In poetry the chief works

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