Notre Dame de Paris - Bartleby.com
Notre Dame de Paris - Bartleby.com
Notre Dame de Paris - Bartleby.com
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eer-cans on their heads, the players absorbed in the various games of hazard—billes (a primitive form<br />
of billiards), dice, cards, backgammon, the intensely exciting “tringlet” (a form of spilikins), quarrels in<br />
one corner, kisses in another—and some i<strong>de</strong>a may be formed of the scene, over which flickered the light<br />
of the great blazing fire, setting a thousand grotesque and enormous shadows dancing on the tavern<br />
walls.<br />
As to the noise—the place might have been the insi<strong>de</strong> of a bell in full peal, while any intervals that<br />
might occur in the hubbub were filled by the spluttering of the dripping-pan in front of the fire.<br />
In the midst of all this uproar, on a bench insi<strong>de</strong> the fireplace, a philosopher sat and meditated, with his<br />
feet in the ashes and his eyes fixed on the blaze. It was Pierre Grainier.<br />
“Now, then, look alive, arm yourselves—we march in an hour!” said Clop in Trouillefou to his rascals.<br />
A girl sang a snatch of song:<br />
“Father and mother <strong>de</strong>ar, good-night;<br />
The last to go put out the light.”<br />
Two card-players were disputing. “Knave!” cried the red<strong>de</strong>st-faced of the two, shaking his fist at the<br />
other, “I’ll so mark thee thou mightest take the place of knave of clubs in our lord the King’s own pack of<br />
cards!”<br />
“Ouf!”roared one, whose nasal drawl betrayed him as a Norman; “we are packed together here like<br />
the saints of Caillouville!”<br />
“Children,” said the Duke of Egypt to his audience in a falsetto voice, “the witches of France go to the<br />
Sabbaths without ointment, or broomsticks, or any other mount, by a few magic words only. The witches<br />
of Italy have always a goat in readiness at the door. All are bound to go up the chimney.”<br />
The voice of the young scamp armed cap-à-pie dominated the hubbub.<br />
“Noël! Noël!” he cried. “My first day in armour! A Vagabond! I’m a Vagabond, body of Christ! pour<br />
me some wine! My friends, my name is Jean Frollo of the Mill, and I’m a gentleman. It’s my opinion that<br />
if the Almighty were a man-at-arms he’d turn robber. Brothers, we are bound on a great expedition. We<br />
are doughty men. Lay siege to the church, break in the doors, bring out the maid, save her from the<br />
judges, save her from the priests, dismantle the cloister, burn the bishop in his house—we’ll do all this in<br />
less time than it takes a burgomaster to eat a mouthful of soup. Our cause is a righteous one—we loot<br />
<strong>Notre</strong> <strong>Dame</strong>, and there you are! We’ll hang Quasimodo. Are you acquainted with Quasimodo, fair<br />
ladies? Have you seen him snorting on the back of the big bell on a day of high festival? Corne du Père!<br />
’tis a grand sight—you’d say it was a <strong>de</strong>vil astri<strong>de</strong> a gaping maw. Hark ye, my friends; I am a truand to<br />
the bottom of my heart, I am Argotier to the soul, I’m a born Cagou. I was very rich, but I’ve spent all I<br />
had. My mother wanted to make me an officer, my father a sub<strong>de</strong>acon, my aunt a criminal councillor, my<br />
grandmother a protonotary, but I ma<strong>de</strong> myself a Vagabond. I told my father so, and he spat his curse in<br />
my face; my mother, the good old lady, fell to weeping and spluttering like the log in that fireplace. So<br />
hey for a merry life! I’m a whole madhouse in myself. Landlady, my duck, some more wine—I’ve got<br />
some money left yet, but no more of that Suresnes, it rasps my throat. Why, corbœuf, it’s like gargling<br />
with a basket!”<br />
The crowd received his every utterance with yells of laughter, and seeing that the uproar was