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Notre Dame de Paris - Bartleby.com

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the draperies, and the in<strong>de</strong>finable charm which is mingled with all the imperfections, makes the little<br />

figures won<strong>de</strong>rfully airy and <strong>de</strong>licate—perhaps almost too much so. You do not find that diverting?”<br />

“Oh, yes,” said the priest.<br />

“And if you were to see the interior of the chapel!” continued the poet with his loquacious enthusiasm.<br />

“Carvings everywhere—leafy as the heart of a cabbage! The chancel is most <strong>de</strong>vout in style and quite<br />

unique. Nowhere have I seen anything similar!”<br />

Dom Clau<strong>de</strong> interrupted him: “You are happy, then?”<br />

“Upon my honour, yes!” returned Gringoire rapturously. “I began by loving women, and went on to<br />

animals; now I am in love with stones. It is quite as diverting as beasts or women, and less fickle.”<br />

The priest passed his hand across his brow. The gesture was habitual with him.<br />

“Say you so?”<br />

“Look you,” said Gringoire, “what joys are to be extracted from it!” He took the priest by the arm, who<br />

yiel<strong>de</strong>d passively, and led him into the stair turret of the For-l’ Èvôque. “Look at that stair! Every time I<br />

see it it makes me happy. The style of that flight of steps is the simplest and most rare in <strong>Paris</strong>. Each step<br />

is sloped un<strong>de</strong>rneath. Its beauty and its simplicity consists in the fact of the steps, which are about a foot<br />

broad, being interlaced, mortised, jointed, linked, interwoven, and fitting into one another in a manner<br />

truly both firm and elegant.”<br />

“And you long for nothing?”<br />

“No.”<br />

“And you have no regrets?”<br />

“Neither regrets nor <strong>de</strong>sires. I have arranged my life to my satisfaction.”<br />

“What man arranges,” said Clau<strong>de</strong>, “circumstances may disarrange.”<br />

“I am a Pyrrhonian philosopher,” returned Gringoire, “and I hold the equilibrium in every thing.”<br />

“And how do you get your living?”<br />

“I still write an epopee or a tragedy now and then; but what brings me in the most is that industry in<br />

which you have already seen me engaged, master—carrying a pyramid of chairs in my teeth.”<br />

“A gross occupation for a philosopher.”<br />

“’Tis always a form of equilibrium,” returned Gringoire. “When one takes up an i<strong>de</strong>a, one finds<br />

something of it everywhere.”<br />

“I know it,” answered the Arch<strong>de</strong>acon. Then after a pause he went on: “Nevertheless, you are very<br />

poor?”<br />

“Poor, yes, unhappy, no.”<br />

There was a clatter of horses’ hoofs, and the two friends saw a <strong>com</strong>pany of the King’s archers file past

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