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Notre Dame de Paris - Bartleby.com

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specification of the expenses of the action against Gillet Soulart and his sow, “executed for their<br />

<strong>de</strong>merits” at Corbeil. Everything is <strong>de</strong>tailed—the cost of the pit to put the sow into; the five hundred<br />

bundles of wood from the wharf of Morsant; the three pints of wine and the bread, the victims’ last meal,<br />

fraternally shared by the executioner; and even the eleven days’ custody and keep of the sow at eight<br />

<strong>de</strong>niers parisis per day. At times they went beyond animals. The capitularies of Charlemagne and Louis<br />

le Débonnaire impose severe penalties on fiery phantoms who had the assurance to appear in the air.<br />

Meanwhile the procurator of the Ecclesiastical Court exclaimed, “If the <strong>de</strong>mon that possesses this goat,<br />

and which has resisted every exorcism, persist in his sorceries, if he terrify the court thereby, we<br />

forewarn him that we shall be constrained to proceed against him with the gibbet or the stake.”<br />

Gringoire broke out in a cold sweat.<br />

Charmolue then took from the table the gipsy’s tambourine, and presenting it in a certain manner to the<br />

goat, he asked: “What is the time of day?”<br />

The goat regar<strong>de</strong>d him with a sagacious eye, lifted her gil<strong>de</strong>d hoof, and struck seven strokes. It was in<br />

truth seven o’clock. A thrill of horror ran through the crowd.<br />

Gringoire could contain himself no longer. “She will be her own ruin!” he exclaimed aloud. “You can<br />

see for yourself she has no knowledge of what she is doing.”<br />

“Silence down there!” cried the usher sharply.<br />

Jacques Charmolue, by means of the same manœuvrings with the tambourine, ma<strong>de</strong> the goat perform<br />

several other tricks in connection with the date of the day, the month of the year, etc., which the rea<strong>de</strong>r<br />

has already witnessed. And by an optical illusion peculiar to judicial proceedings, these same spectators,<br />

who doubtless had often applau<strong>de</strong>d Djali’s innocent performances in the public streets, were terrified by<br />

them un<strong>de</strong>r the roof of the Palais <strong>de</strong> Justice. The goat was indisputably the <strong>de</strong>vil.<br />

It was much worse, however, when the procurator, having emptied on the floor a certain little leather<br />

bag full of movable letters hanging from Djali’s neck, the goat was seen to separate from the scattered<br />

alphabet the letters of the fatal name “Phœbus.” The magic of which the captain had been a victim<br />

seemed incontrovertibly proven; and, in the eyes of all, the gipsy girl, the charming dancer who had so<br />

often dazzled the passer-by with her exquisite grace, was nothing more nor less than a horrible witch.<br />

As for her, she gave no sign of life. Neither Djali’s pretty tricks nor the menaces of the lawyers, nor the<br />

stifled imprecations of the spectators—nothing reached her apprehension any more.<br />

At last, in or<strong>de</strong>r to rouse her, a sergeant had to shake her pitilessly by the arm, and the Presi<strong>de</strong>nt<br />

solemnly raised his voice:<br />

“Girl, you are of the race of Bohemians, and given to sorcery. In <strong>com</strong>pany with your ac<strong>com</strong>plice, the<br />

bewitched goat, also implicated in this charge, you did, on the night of the twenty-ninth of March last, in<br />

concert with the powers of darkness, and by the aid of charms and shells, wound and poniard a captain<br />

of the King’s archers, Phœbus <strong>de</strong> Châteaupers by name. Do you persist in your <strong>de</strong>nial?”<br />

“Horrors!” cried the girl, covering her face with her hands. “My Phœbus! Oh, this is hell!”<br />

“Do you persist in your <strong>de</strong>nial?” repeated the Presi<strong>de</strong>nt coldly.

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