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Notre Dame de Paris - Bartleby.com

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priest.<br />

But Quasimodo, placing himself in front of the Arch<strong>de</strong>acon, brought the muscles of his brawny fists<br />

into play and faced the assailants with the snarl of an angry tiger.<br />

The priest, returned to his gloomy gravity, signed to Quasimodo and withdrew in silence, the hunchback<br />

walking before him and scattering the crowd in his passage.<br />

When they had ma<strong>de</strong> their way across the Place the curious and idle rabble ma<strong>de</strong> as if to follow,<br />

whereupon Quasimodo took up his position in the rear and followed the Arch<strong>de</strong>acon, facing the crowd,<br />

thick-set, snarling, hi<strong>de</strong>ous, shaggy, ready for a spring, gnashing his tusks, growling like a wild beast,<br />

and causing wild oscillations in the crowd by a mere gesture or a look.<br />

So they were allowed to turn unhin<strong>de</strong>red into a dark and narrow street, where no one ventured to follow<br />

them, so effectually was the entrance barred by the mere image of Quasimodo and his gnashing fangs.<br />

“A most amazing inci<strong>de</strong>nt!” said Grainier; “but where the <strong>de</strong>vil am I to find a supper?”<br />

IV. The Mishaps Consequent on Following a Pretty Woman through<br />

the Streets at Night<br />

AT a venture, Grainier set off to follow the gipsy girl. He had seen her and her goat turn into the Rue <strong>de</strong><br />

la Coutellerie, so he too turned down the Rue <strong>de</strong> la Coutellerie.<br />

“Why not?” said he to himself.<br />

Now, Grainier, being a practical philosopher of the streets of <strong>Paris</strong>, had observed that nothing is more<br />

conducive to pleasant reverie than to follow a pretty woman without knowing where she is going. There<br />

is in this voluntary abdication of one’s free-will, in this subordination of one’s whim to that of another<br />

person who is totally unconscious of one’s proceedings, a mixture of fanciful in<strong>de</strong>pen<strong>de</strong>nce and blind<br />

obedience, an in<strong>de</strong>finable something between slavery and freedom which appealed to Grainier, whose<br />

mind was essentially mixed, vacillating, and <strong>com</strong>plex, touching in turn all extremes, hanging continually<br />

suspen<strong>de</strong>d between all human propensities, and letting one neutralize the other. He was fond of<br />

<strong>com</strong>paring himself to Mahomet’s coffin, attracted equally by two loadstones, and hesitating eternally<br />

between heaven and earth, between the roof and the pavement, between the fall and the ascension,<br />

between the zenith and the nadir.<br />

Had Grainier lived in our day, how admirably he would have preserved the gol<strong>de</strong>n mean between the<br />

classical and the romantic. But he was not primitive enough to live three hundred years, a fact much to be<br />

<strong>de</strong>plored; his absence creates a void only too keenly felt in these days.<br />

For the rest, nothing disposes one more readily to follow passengers through the streets—especially<br />

female ones, as Grainier had a weakness for doing—than not to know where to find a bed.<br />

He therefore walked all pensively after the girl, who quickened her pace, making her pretty little goat<br />

trot besi<strong>de</strong> her, as she saw the townsfolk going home, and the taverns—the only shops that had been open<br />

that day—preparing to close.<br />

“After all,” he thought, “she must lodge somewhere—gipsy women are kind-hearted—who knows…?”

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