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Notre Dame de Paris - Bartleby.com

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abundance. A single window looked on to the street; there was a vine at the door, and over the door a<br />

creaking sheet of iron having a woman and an apple painted on it, rusted by the rain and swinging in the<br />

wind—this was the sign-board.<br />

Night was falling; the street was pitch-dark, and the cabaret, blazing with candles, flared from afar like<br />

a forge in the gloom, while through the broken window-panes came a continuous uproar of clinking<br />

glasses, feasting, oaths, and quarrels. Through the mist which the heat of the room diffused over the<br />

glass of the door a confused swarm of figures could be seen, and now and then came a roar of laughter.<br />

The people going to and fro upon their business hastened past this noisy casement with averted eyes.<br />

Only now and then some little ragamuffin would stand on tip-toe until he just reached the window-ledge,<br />

and shout into the cabaret the old jeering cry with which in those days they used to follow drunkards:<br />

“Aux Houls, saouls, saouls, saouls!”<br />

One man, however, was pacing imperturbably backward and forward in front of the noisy tavern, never<br />

taking his eye off it, nor going farther away from it than a sentry from his box. He was cloaked to the<br />

eyes, which cloak he had just purchased at a clothier’s shop near the Pomme d’Eve, perhaps to shield<br />

himself from the keen wind of a March night, perhaps also to conceal his dress. From time to time he<br />

stopped before the dim latticed casement, listening, peering in, stamping his feet.<br />

At length the door of the cabaret opened—this was evi<strong>de</strong>ntly what he had been waiting for—and a pair<br />

of boon <strong>com</strong>panions came out. The gleam of light that streamed out of the doorway glowed for a moment<br />

on their flushed and jovial faces. The man in the cloak went and put himself on the watch again un<strong>de</strong>r a<br />

porch on the opposite si<strong>de</strong> of the street.<br />

“Corne et tonnerre!” said one of the two carousers. “It’s on the stroke of seven—the hour of my<br />

ren<strong>de</strong>zvous.”<br />

“I tell you,” said his <strong>com</strong>panion, speaking thickly, “I don’t live in the Rue <strong>de</strong>s<br />

Mauvaises-Paroles—indignus qui inter mala verba habitat. My lodging is in the Rue<br />

Jean-Pain-Mollet—in vico Johannis-Pain-Mollet, and you’re more horny than a unicorn if you say the<br />

contrary. Everybody knows that he who once ri<strong>de</strong>s on a bear’s back never knows fear again; but you’ve<br />

a nose for smelling out a dainty piece like Saint-Jacques <strong>de</strong> l’Hôpital!”<br />

“Jehan, my friend, you’re drunk,” said the other.<br />

His friend replied with a lurch. “It pleases you to say so, Phœbus; but it is proved that Plato had the<br />

profile of a hound.”<br />

Doubtless the rea<strong>de</strong>r has already recognised our two worthy friends, the captain and the scholar. It<br />

seems that the man who was watching them in the dark had recognised them too, for he followed slowly<br />

all the zigzags which the scholar obliged the captain to make, who, being a more seasoned toper, had<br />

retained his self-possession. Listening intently to them, the man in the cloak overheard the whole of the<br />

following interesting conversation:<br />

“Corbacque! Try to walk straight, sir bachelor. You know that I must leave you anon. It is seven<br />

o’clock, and I have an appointment with a woman.”<br />

“Leave me then! I see stars and spears of fire. You’re like the Château of Dampmartin that burst with<br />

laughter.”

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