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Jie neleidžia nutilti gerai muzikai - Business and Exhibitions

Jie neleidžia nutilti gerai muzikai - Business and Exhibitions

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ART MARKET<br />

Lithuanian Economic Review<br />

BUSINESS&EXHIBITIONS<br />

Modern Sculptures of Traditional Lithuanian Art<br />

While still studying in M. K. Čiurlionis Art School (now the National<br />

M. K. Čiurlionis Art Gymnasium), I have decided to link my creative life<br />

to sculpture. At National Institute of Fine Arts (now Vilnius Academy<br />

of Arts) I chose to study wood sculpture. Why? I was attracted by the<br />

warmth of the traditional Lithuanian material, by the substantial cultural<br />

heritage of our l<strong>and</strong> <strong>and</strong> the attachment to ordinary, yet real values.<br />

Huge impact on the formation of my creative stylistics was made by the<br />

individuality of such Lithuanian sculptors as Prof. K. Bogdanas, Prof. B.<br />

Vyšniauskas, Prof. J. Kėdainis, Prof. G. Jokūbonis, P. Mazūras, by their<br />

knowledge <strong>and</strong> experience.<br />

Lately, I mainly work on small-format figural mahogany <strong>and</strong> recently<br />

discovered balsa wood sculptures. I am particularly keep on the heritage<br />

of traditional Lithuanian art <strong>and</strong> its links to the nowadays. In my works,<br />

I try to combine the old Lithuanian traditions of carving <strong>and</strong> the modern<br />

art tendencies.<br />

I believe that my works in the field of wood sculpture shall be a<br />

somewhat contribution towards the continuity of the traditional<br />

Lithuanian art.<br />

- Vilmantas Adamonis<br />

“A distinctive stylization, eye-catching fragments of tarsia <strong>and</strong><br />

colorific polychromy, directly indicating the folksy nature, provides the<br />

woodees with the right to exist within the map of the Lithuanian art.<br />

As if they constantly remind us that if we fail to be like children, we<br />

shall never enter the Kingdom of Heaven; that simplicity <strong>and</strong> sincerity<br />

are still valuables as well; that haziness, which overwhelms while<br />

looking at round eyes of a woodee, is traditionally typical Lithuanian<br />

feature, which should rather be cherished than oppressed. The works of<br />

Vilmantas Adomonis, based on own <strong>and</strong> foreign traditions rather than<br />

on innovations, force us to remember something that was long-forgotten:<br />

kindness <strong>and</strong> simplicity.”<br />

Art critic – Jurgita Ludavičienė<br />

Contact details:<br />

Mobile: +370 685 26781<br />

Website: www.freewebs.com/mutisart<br />

E-mail: adamutis@yahoo.com<br />

Paparacis<br />

Paparazzi<br />

Maudynės<br />

Swim<br />

Žuvys<br />

Fishes<br />

Jautukas<br />

Bullock<br />

Rūpintojėlis<br />

Cross<br />

53

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