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Ex. 15.18.Spohr, Violin School: (a) p.108;(b) p.108;(c) p.109<br />

Spohr's Violinschule also includes equivalents of Corri's ‘anticipation’ and‘leaping’ graces. <strong>The</strong> former occurs strikingly<br />

in his annotated version of Rode's Seventh Concerto, where Rode himself had not indicated any such connection; 1125<br />

and another good example can be found in the slow movement of Spohr's own Ninth Concerto (Ex. 15.19.) In violin<br />

music a figure similar to the ‘leaping grace’ often occurs without any portamento (Ex. 15.20;) this version of the<br />

ornament is frequently used on instruments that have more limited possibilities for portamento or, like the keyboard,<br />

none at all. But at times this, too,<br />

Ex. 15.19.Spohr, Violin School, 214<br />

Ex. 15.20.Spohr, Violin School, 167<br />

1125 See Ex. 12.10, bar 68.<br />

PORTAMENTO 577

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