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STRING BOWING 265<br />

on the string with the point of the bow, thus producing a light staccato.’ 467 And Busby's Dictionary explained punta d'arco<br />

as: ‘with the end, or with a slight touch of the bow’. 468 Johann Adam Hiller seems to have understood the term<br />

differently, applying it to the staccato produced at the point of the bow by a series of short strokes in one up-bow; 469<br />

but this would not fit most of the instances where the expression appears in eighteenth-and early nineteenth-century<br />

music.<br />

All the passages marked ‘punta d'arco’ in Ex. 7.2 are places where the natural instinct of the modern player would be<br />

to use the middle or lower half of the bow with an off-the-string stroke which would now be known as spiccato; but it<br />

seems clear that this instinct did not come so naturally to eighteenth-century and even nineteenth-century players.<br />

Defining the word ‘spiccato’ in his<br />

467<br />

Dizionario, art. ‘Punta d'arco’.<br />

468<br />

Thomas Busby's Dictionary of 300 Musical Terms, 3rd edn., rev. by J. A. Hamilton (London, [1840]), 40.<br />

469 Anweisung zum Violinspielen, 41.

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