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Arpeggiation<br />

Various notations were used to indicate arpeggiation in the music of the period. <strong>The</strong>se included the vertical wavy or<br />

curved line and the notation of the arpeggiation in small notes. Mozart, for instance, sometimes used the wavy line and<br />

sometimes the small notes: in his Violin Sonata K. 306 he used one form in the initial draft of the first movement (Ex.<br />

16.21(a)) and the other in the final version (Ex. 16.21(b).) Other signs were used for specialized treatments of<br />

arpeggiation; for instance, as explained by Clementi and others, 1169 where a grace-note or acciaccatura was required<br />

before one note of the arpeggio this might be indicated by a slanting line through the note to which the ornament<br />

should be added (Ex. 16.22.)<br />

Ex. 16.21. Mozart, Violin Sonata K. 306/i<br />

1169 Clementi, Introduction, 9.<br />

THE FERMATA 609

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