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180 | denis beckett<br />
and Thapelos. I liked their visits. I beheld their pages in a<br />
newly published edition with fondness. also, if they weren’t<br />
in Frontline where would they be? The Spectator/New Yorker<br />
segment of readership said “they belong in Drum”, but they<br />
didn’t. There were downmarket black publications to ooh<br />
and aah about ghosts amputating children’s organs, but the<br />
upmarket ones shied away from the whys and wherefores of<br />
witchcraft’s grip. My own black readers revolted. To many of<br />
them – Nthato Motlana was captain of this team – witchcraft<br />
was a brake, a bad memory. I’d say it’s a huge reality for half<br />
the population, our job was to deal with the realities around us.<br />
“Not this one”, Nthato urged.<br />
But I couldn’t tell Thapelo “sorry, the biggest thing in your<br />
part of our country’s life makes commercially important<br />
readers switch to the Spectator.” What he called “real african<br />
things” came up, on and off, until the end. In fact the end end,<br />
coincidentally on edition 100, was despite a classic “reprieve”<br />
piece; Benson Ntlemo on village dynamics after a tornado.<br />
This was not “damage is estimated at rX-million”. It was who<br />
accused whom of bewitching who, plus the sordid and sad class<br />
wars between brick-house owners and mud-house owners over<br />
relief funds. Had there been an edition 101 Benson would have<br />
featured, making 102 all the less likely but leaving this reader,<br />
for one, with a fuller picture.<br />
Generally the witchcraft school needed plenty of editing.<br />
Strangely, my explicitly low-life specialist needed nil.<br />
a face poked round the ajar door of 402 Dunwell. I said<br />
“come in” and a person entered. He had evidently slept on a<br />
park bench. He’d lost his razor, his shirt had endured since the<br />
Verwoerd administration, one of his soles slapped on the floor.<br />
I was reaching for 50 cents when he said he wanted to speak to<br />
Mr Beckett. I said he was doing that thing. He wouldn’t believe<br />
me. He said editors don’t sit at reception rooms where anybody<br />
just walks in.<br />
This was Steven ashley Botha. Steve had brought a<br />
handwritten essay on Pretoria central Prison, a resident’s view.