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Radical Middle | 199<br />
Point four was how common it was for parties to lawsuits to<br />
come to believe in – truly, deeply, be sure of – the rightness of<br />
their cause, even people who would absolutely insist “not, me,<br />
I’m objective, I look at all sides”.<br />
The case of Beckett vs Buthelezi legally immaculately<br />
creates an outrageous truth: that to say “thuggish” of Inkatha’s<br />
activities in the 1980s was impermissible. I’m not a guy who<br />
is greatly hung up about “legacy”. all I really want is not to<br />
embarrass my kids. It bugged me a little that I had sleepwalked.<br />
it bugged me a lot that the most perfectly lasting thing I had<br />
done – the Law reports are forever; the body of precedent –<br />
was to cause a freak judgment. If there is a redeeming feature, it<br />
is that this case might one day contribute to an erasing of ways<br />
by which right law can have a wrong effect.<br />
Meantime, history was about to half-repeat itself. I was about<br />
to again grace the Law reports, again in a case before the chief<br />
Justice.<br />
Johnny Johnson, editor of The Citizen wanted r50 000, for<br />
Stephen robinson calling him “depraved”.<br />
This gave Stephen an interesting full-house. I published two<br />
robinson articles, I received two lawsuits. I hadn’t seen lawsuits<br />
at frontline, otherwise. Banning orders, yes, three in total, but<br />
nine years had brought forth a total of one written grievance.<br />
That was from Willem Wepener, editor of Beeld, who didn’t<br />
whisper a word of threat, he merely said he expected better. So<br />
of course we corrected and apologised.<br />
“Depraved” was never meant to imply that Johnson flashed<br />
schoolgirls. That was self-evident. It was a crack at his weird<br />
writing. I thought it was unduly thin-skinned to take offence,<br />
but if he was offended I was willing to apologise. I wrote to him,<br />
offering to come and discuss it.<br />
By July 4, 1988, when I wrote that letter, I’d graduated to a<br />
word processor for real writing, but one-paragraph stuff was<br />
easier to bang out on my trusty World War Two black upright<br />
underwood. a sheet into the roller, a couple of clang-clangs of<br />
the carriage return, clackety-clack on those long-drop keys with