Untitled - Memorial University of Newfoundland
Untitled - Memorial University of Newfoundland
Untitled - Memorial University of Newfoundland
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<strong>of</strong>f against the old myths, the supematura1 and magical explanations <strong>of</strong><br />
man's existence within society and nature. And no wonder, for quite<br />
<strong>of</strong>ten these plays deal with the more basic, more concrete problems that<br />
confront Africa and Africans : foreign domination . .. the degradations<br />
and oppression <strong>of</strong> the -little people" , that is <strong>of</strong> Africa's vast urban and<br />
run! masses. The sights are focused more sharp ly on all the means<strong>of</strong><br />
liberation. as much from foreign and domestic oppression . as from the<br />
systems o f thought and the mystifications <strong>of</strong> reali ty inherited fro m<br />
previous ages unencumbered by the problems o f the presen t epoch (62) .<br />
Rotimi participates in the liberating project <strong>of</strong> postcolonial writers; here he is not onl y<br />
revising a western canonical text, but is addressing the issues surro unding the<br />
aftermath <strong>of</strong> colonization. sueb as ethnic marginal.izaIion.<br />
Tri balism is the secondissue that arises from Rotimi ts argument a!x>ut the<br />
theme <strong>of</strong> The Gods An Not To Blame; OdcwaIe reveal s his motive for murder:<br />
The y [the gtxls} knew my weakness: the weakness <strong>of</strong> a man easily<br />
moved to the defence <strong>of</strong> his tribe against others. I once slew a man on<br />
my farm in Ede. I could have spared him. But he spat on my tribe. He<br />
spat on the tribe I thought was my own tribe . Th e man laughed. and<br />
laughing, he called me a ' man from the bush tribe <strong>of</strong> Ijekun' . And I lost<br />
my reason (71) .<br />
Rotimi brings together the god's prediction and human destiny in such a way that<br />
Odewale realizes that he bad played a part; he allowed the gods to use him, to use his<br />
quick: temper or loss <strong>of</strong> reason . Rotimi in his interview with Enekwe arti culates the<br />
didacti c locus <strong>of</strong> the drama:<br />
Rather than blame the gods for letting Odewale perpetrate such heinous<br />
crimes , people should look at Odewale 's experience and learn the<br />
lessons from unbridled tribal bigotry . In other words, Odewale is used ,<br />
in the idio m <strong>of</strong> the play, to dramatize the shocks which ethnic jingoism<br />
is capable <strong>of</strong> pan1leling in the relationships <strong>of</strong> African peopl e. In this<br />
sense, Odewale's trib ulations can be seen as dra wing atten tion to that<br />
92